The Social and Religious Designs of J. S. Bach s Brandenburg Concertos.

Marissen, Michael.

Published by 1995.
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Princeton University Press, Princeton, New Jersey 1995. First edition. Publishers cloth. dustwrapper. 150 (4) pp. Good condition. Bookseller Inventory # 30788

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Title: The Social and Religious Designs of J. S. ...
Publisher: 1995.

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1.

Marissen, Michael
Published by Princeton University Press
ISBN 10: 0691006865 ISBN 13: 9780691006864
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Book Description Princeton University Press. PAPERBACK. Book Condition: Good. 0691006865 GD+. Library discard. Page cond. VG. Has just a few notes. Minor wear. Decent clear reading copy. Ships next day w Deliv Confirm. (jd10-e1601). Bookseller Inventory # 5Q-T2ZC-3FQ7

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Michael Marissen
Published by Princeton University Press March 1995 (1995)
ISBN 10: 0691037396 ISBN 13: 9780691037394
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Book Description Princeton University Press March 1995, 1995. Hardcover. Book Condition: Used. Bookseller Inventory # 554494

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Marissen, Michael
Published by Princeton University Press (1999)
ISBN 10: 0691006865 ISBN 13: 9780691006864
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Book Description Princeton University Press, 1999. Soft cover. Book Condition: Very Good. No Jacket. A very good+ paperback, little to no reading wear, very clean and bright, looks unread. Please allow 3-5 days for delivery within the UK, please contact me for international delivery times. No quibble refund if not entirely satisfied. Cardiff Books supports SCOPE: About Disability. Bookseller Inventory # 36604

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Marissen, Michael
Published by Princeton University Press, Princeton NJ (1999)
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Book Description Princeton University Press, Princeton NJ, 1999. Paperback. Book Condition: Near Fine. Reprint. Full of important and closely argued discussions of individual aspects of chronoogy, source criticism, musical structure. 150 pages, 2 pages with pencil marginalia. Size: 6 x 9 ". Bookseller Inventory # 51224

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Michael Marissen
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Book Description Princeton University Press. Hardcover. Book Condition: VERY GOOD. Light rubbing wear to cover, spine and page edges. Very minimal writing or notations in margins not affecting the text. Possible clean ex-library copy, with their stickers and or stamp(s). Bookseller Inventory # 2816851439

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Marissen, Michael
Published by Princeton University Press (1995)
ISBN 10: 0691037396 ISBN 13: 9780691037394
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Book Description Princeton University Press, 1995. Hardcover. Book Condition: Used: Very Good. NICE CONDITION HARDCOVER BOOK IN DUST JACKET. A VERY FEW NEAT MARKINGS IN TEXT. ALMOST NO WEAR TO COVER. ONLY LIGHT WEAR TO DUST JACKET. A CLEAN & SOLID BOOK. Bookseller Inventory # W-723

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Marissen, Michael
Published by Princeton University Press (1995)
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Book Description Princeton University Press, 1995. Hardcover. Book Condition: Good. Item may show signs of shelf wear. Pages may include limited notes and highlighting. Includes supplemental or companion materials if applicable. Access codes may or may not work. Connecting readers since 1972. Customer service is our top priority. Bookseller Inventory # mon0000789253

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Michael Marissen
Published by Princeton University Press (1999)
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Book Description Princeton University Press, 1999. Paperback. Book Condition: Used: Good. Bookseller Inventory # SONG0691006865

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Marissen, Michael
Published by Princeton, Princeton (1995)
ISBN 10: 0691037396 ISBN 13: 9780691037394
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Book Description Princeton, Princeton, 1995. Pub's Cloth. Book Condition: Fine. Dust Jacket Condition: Fine. 1st. The book discusses the musical,social & religious implications of Bach's treatment of form & subject. Bookseller Inventory # 23216

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Michael Marissen
Published by Princeton University Press, United States (1999)
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Book Description Princeton University Press, United States, 1999. Paperback. Book Condition: New. Language: English . Brand New Book. This new investigation of the Brandenburg Concertos explores musical, social, and religious implications of Bach s treatment of eighteenth-century musical hierarchies. By reference to contemporary music theory, to alternate notions of the meaning of concerto, and to various eighteenth-century conventions of form and instrumentation, the book argues that the Brandenburg Concertos are better understood not as an arbitrary collection of unrelated examples of pure instrumental music, but rather as a carefully compiled and meaningfully organized set. It shows how Bach s concertos challenge (as opposed to reflect) existing musical and social hierarchies. Careful consideration of Lutheran theology and Bach s documented understanding of it reveals, however, that his music should not be understood to call for progressive political action. One important message of Lutheranism, and, in this interpretation, of Bach s concertos, is that in the next world, the heavenly one, the hierarchies of the present world will no longer be necessary. Bach s music more likely instructs its listeners how to think about and spiritually cope with contemporary hierarchies than how to act upon them. In this sense, contrary to currently accepted views, Bach s concertos share with his extensive output of vocal music for the Lutheran liturgy an essentially religious character. Bookseller Inventory # AAH9780691006864

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