Title: The Sensuous and the Sacred - Chola Bronzes ...
Publisher: American Federation of the Arts
Publication Date: 2004
Binding: Soft cover
Book Condition: New
Edition: 1st Edition
255 pages with color and b/w photo illustrations, many full page. This book was produced to accompany an exhibition of South Indian bronzes organized by the American Federation of Arts and the Arthur M. Sackler Gallery, Smithsonian Institution. In addition to providing commentaries on the objects in the exhibition, Vidya Dehejian chronicles the rise of the medieval Hindu temple and the religious and artistic culture that developed around it, outlining the festival cycle, explaining the role of bronzes within festival processions, and analyzing the regional and stylistic variations among Chola bronzes. A major, superbly produced book, and one of few on this subject. Softcover, brand new, still in publishers shrink-wrap. 12 by 10 inches. Bookseller Inventory # 13089
Synopsis: "The Sensuous and the Sacred" focuses on the exquisite temple bronzes produced during the Chola period, a time of unparalleled creativity in the history of the Indian subcontinent. By the beginning of the tenth century, Hindu devotees began to visualize their deities as having public personas not unlike those of human monarchs. Worshipped as living entities, the deities participated in a variety of daily, weekly, monthly, and annual rituals and festivities; to fulfill these functions, portable images were required. Thus were created the spectacular temple bronzes of south India. For more than four hundred years, from the ninth to the thirteenth century, the Chola dynasty was the dominant cultural, artistic, religious, and political force in south India. During the golden age of Chola rule, music and dance, poetry and drama, philosophy and religious thought, and the arts of sculpture, bronze-casting, jewelry-making, painting, and architecture reached new heights. The temple was the center of all activity, and the Cholas built and decorated some of the most impressive temples in south India. These were primarily Hindu, though Buddhist and Jain shrines were also supported by Chola royalty. Vidya Dehejia holds the Barbara Stoler Miller Chair in Indian Art at Columbia University. Other contributors include Richard H. Davis, R. Nagaswarmy, and Karen Pechillis Prentiss.
About the Author: Vidya Dehejia holds the Barbara Stoler Miller Chair in Indian Art at Columbia University. Other contributors include Richard H. Davis, R. Nagaswarmy, and Karen Pechillis Prentiss.
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