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Rebecca Horn: Moon Mirror - Site-Specific Installations 1982-2005

Horn, Rebecca; Cook, Richard; Madoff, Steven Henry; Von Drathen, Doris

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ISBN 10: 3775791876 / ISBN 13: 9783775791878
Published by Hatje Cantz Pub, Germany, 2006
Condition: Fine Hardcover
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The slightest bump to one corner. Still, a fine, crisp, clean copy. 269pp. Dust jacket offered in a new mylar cover. Size: 4to - over 9" - 12" Tall. Bookseller Inventory # 032463

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Bibliographic Details

Title: Rebecca Horn: Moon Mirror - Site-Specific ...

Publisher: Hatje Cantz Pub, Germany

Publication Date: 2006

Binding: Hardcover

Book Condition: Fine

Dust Jacket Condition: Fine

Edition: First Edition.

About this title


Description: Moon Mirror focuses on a singular aspect of Rebecca Horn's extraordinarily diverse oeuvre, one that plays an important role in the formal constitution of her large sculptures and installations: the relationship between the work of art and its architectural setting. Presented here is a range of pieces, from early works of the 1970s to sculptures and installations realized in 2003. In Mekasten and R ume berhren sich in Spiegeln, both made in the 70s, the human body is the measure of spatial perception. In the late-80s installation Das gegenl ufige Konzert, Horn worked site-specifically within a building of dubious political background--the Zwinger, where countless people were tortured during the Nazi regime--exploring its history and creating a place of remembrance. In the recent Moon Mirror, a work installed in Pollen a, Majorca, the artist created a column of air between a fountain constructed of mirrors and an eddy of light beneath the dome of the Stiftskirche. At the point at which the Orient and the Occident meet, the moon is captured as a "vehicle of human vision and expression." The viewer descends into the depths of the fountain and transcends her own horizon in order to survey the heavens anew.

From Library Journal:

This is essentially a catalog of the exhibition of Horn's work held at the Guggenheim Museum in New York City's Soho last summer. There are two interviews with Horn, a German artist whose work has been rightly described as simultaneously disturbing and fascinating. Four well-written essays treat various aspects of her work, examining meaning and content as well as installations. Topics like "The Divine Comedy of Rebecca Horn," "Hybrid Machines," "A Different World," and her interiors are discussed in some detail. Sections on performances and films, a filmography, and a biography complete the text; an index would have been helpful. The illustrations provide a sense of Horn's work, although there is a lack of clarity in many, and, on the whole, the quality of the reproductions is not as good as one might have expected. Still, this is an excellent synopsis of Horn's work and career. Recommended for larger art collections.
- Martin Chasin, Adult Inst., Bridgeport, Ct.
Copyright 1993 Reed Business Information, Inc.

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