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Radical Bodies: Anna Halprin, Simone Forti, and Yvonne Rainer in California and New York, 1955-1972

Ninotchka Bennahum

2 ratings by Goodreads
ISBN 10: 0520293363 / ISBN 13: 9780520293366
Published by University of California Press
New Condition: New Hardcover
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Bibliographic Details

Title: Radical Bodies: Anna Halprin, Simone Forti, ...

Publisher: University of California Press

Binding: Hardback

Book Condition: New

About this title


In August 1960, Anna Halprin taught an experimental workshop attended by Simone Forti and Yvonne Rainer (along with Trisha Brown and other soon-to-be important artists) on her dance deck on the slopes of Mount Tamalpais, north of San Francisco. Within two years, Forti's conceptually forceful Dance Constructions had premiered in Yoko Ono's loft and Rainer had cofounded the groundbreaking Judson Dance Theater. Radical Bodies reunites Halprin, Forti, and Rainer for the first time inmore than fifty-five years. Dance was a fundamental part of the art world in the 1960s, the most volatile decade in American art, offering a radical image of bodily presence in a moment of revolutionary change. Halprin, Forti, and Rainer-all with Jewish roots-found themselves at the epicenter of this upheaval. Each, in her own tenacious, humorous, and critical way, created a radicalized vision for dance, dance making, and, ultimately, for music and the visual arts. Placing the body and performance at the center of debate, each developed corporeal languages and methodologies that continue to influence choreographers and visual artists around the world to the present day, enabling a critical practice that reinserts social and political issues into postmodern dance and art. Published in association with the Art, Design & Architecture Museum, University of California, Santa Barbara. Exhibition dates: Art, Design & Architecture Museum, University of California, Santa Barbara: January 17-April 30, 2017 New York Public Library for the Performing Arts: May 24-September 16, 2017 Events: Pillowtalks, Jacob's Pillow, Becket, MA: July 1, 2017


"Through photos, objects and rare footage [featured in the book], the experiments on Ms. Halprin's deck are revealed to be crucial to the Judson revolution and so much that has happened since in New York postmodern dance." --New York Times

"The book significantly revisit[s] the body of the sixties as a living and breathing resource of inspiration, complexity, and revolution."--The Woman's Art Journal

"More than an exhibition catalogue, the text, populated by images of the exhibit's artifacts, offers an absorptive record that celebrates Halprin, Forti, and Rainer's historical oeuvres. While maintaining a critical, discursive perspective, especially in the three grounding essays by the book's editors, the text additionally weaves together artist writings, critical reflection, and personal anecdotes by Forti, John Rockwell, and Morton Subotnick. These supplementary pieces invite the voices of the artist, critic, and collaborator, respectively, giving the book a diverse stylistic ethos that performatively addresses the intangible aspects of its subjects: the body, performance, and time-based materials."-- (11/26/2018)

"...[an] attractive, large-format volume [that] gives props to 96-year-old Anna Halprin."--The Village Voice

"This catalog brings new insights into the essential and world-changing new ideas on art making that these three women ignited and nurtured and continue to do so--all three remain active in the dance world."--Journal of Dance Education

"The book is punctuated with visuals: performance photos, film stills, rehearsal notes, manuscripts, drawings, and improvisational scores. The visual organization asks its reader to engage with Halprin, Forti, and Rainer's radical bodies through images of them in motion and written representations of their work." --PAJ: A Journal of Performance and Art

"Radical Bodies and Judson Dance Theater raise a final relevant to intellectual history: how do we consider the ephemerality of the past? . . . The historical essays as well as the photographs, notebook pages, scores, and other archival sources richly documented in the book mean that while we can't go back again to the dancing bodies themselves, we can still activate the meanings left in their wake."

--Society for US Intellectual History

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