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Patio and Pavilion

Curtis, Penelope

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ISBN 10: 1905464053 / ISBN 13: 9781905464050
Published by Cornerhouse Publications
New Condition: New Soft cover
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About this Item

2006. Paperback. Num Pages: 144 pages, 8 colour, 60 b&w illustrations. BIC Classification: AFKB; AM. Category: (P) Professional & Vocational. Dimension: 239 x 181 x 16. Weight in Grams: 532. The Place of Sculpture in Modern Architecture. 144 pages, 8 colour, 60 b&w illustrations. Cateogry: (P) Professional & Vocational. BIC Classification: AFKB; AM. Dimension: 239 x 181 x 16. Weight: 530. . . . . . Books ship from the US and Ireland. Bookseller Inventory # V9781905464050

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Bibliographic Details

Title: Patio and Pavilion

Publisher: Cornerhouse Publications

Binding: Soft cover

Book Condition:New

About this title


Patio and Pavilion examines the relationship between modern sculpture and architecture in the mid-twentieth century, an interplay that has laid the ground for the semisculptural or semiarchitectural works by architects such as Frank Gehry and artists such as Dan Graham.   
The first half of the book looks at how the addition of sculpture enhanced several architectural projects, including Mies van der Rohe?s Barcelona Pavilion (1929) and Eliel Saarinen's Cranbrook Campus (1934). The second half of the book uses several additional case studies, including Philip Johnson's sculpture court for New York?s Museum of Modern Art (1953), to explore what architectural spaces can add to the sculpture they are designed to contain.    Curtis argues that it was in the middle of the twentieth century, before sculptural and architectural forms began to converge, that the complementary nature of the two art forms began clearly to emerge: figurative sculpture highlighted the modernist architectural experience, and the abstract qualities of that architecture imparted to sculpture a heightened role.

About the Author:

Penelope Curtis is curator of the Henry Moore Institute in Leeds, England, and the author of several books on twentieth-century architecture, including Sculpture 1900?1945 (Oxford History of Art), and coauthor of Barbara Hepworth: A Retrospective.

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