Opera and Video: Technology and Spectatorship

Published by Peter Lang AG, Internationaler Verlag der Wissenschaften
ISBN 10: 3034305427 / ISBN 13: 9783034305426
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Addresses the relationship between opera and audiovisual technology by offering the results of a balanced critical and innovative approach. This book offers not only isolated theoretical contributions but seeks a connection of them with significant practice oriented approaches coming from the fields of video direction and composition. Editor(s): Perez, Hector J. Num Pages: 187 pages. BIC Classification: APF; AVGC9. Category: (P) Professional & Vocational. Dimension: 152 x 225 x 15. Weight in Grams: 302. . 2012. 1st New edition. Paperback. . . . . Books ship from the US and Ireland. Bookseller Inventory #

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Synopsis: The contributions in this volume reflect the efforts of musicology to understand a hybrid area with a fascinating evolution. They aim to address the relationship between opera and audiovisual technology from its origins to today by offering the results of a balanced critical and innovative approach. The reader interested in opera, aesthetics, narrative or transmediality will find concrete approaches devoted to an unexplored diversity of aspects with an impact on the narrative conditions in which we watch opera on screen. The variety of perspectives shows how original methodological approaches are able to design a new map of the main transmedial problems of opera in TV, DVD and even in phonography. The book offers not only isolated theoretical contributions but seeks a connection of them with significant practice oriented approaches coming from the fields of video direction and composition.

About the Author: Héctor J. Pérez is Associate Professor of Audiovisual Communication and Aesthetics and a member of the Technology and Information Research Team, CALSI, at the Universidad Politécnica de Valencia. Among his main publications on Opera are «Shakespeare jenseits des Dramas» (1998); El Nacimiento de la tragedia. Un ensayo sobre la metafísica del artista en el joven Nietzsche (2001); «Opera Narratives: From Mythology to Audiovisual Aesthetics» (2006); Expression in the Performing Arts (2010); «Una estética audiovisual de Electra» (2010).

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Title: Opera and Video: Technology and ...
Publisher: Peter Lang AG, Internationaler Verlag der Wissenschaften
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Book Description Peter Lang AG, Internationaler Verlag der Wissenschaften. Paperback. Book Condition: new. BRAND NEW, Opera and Video: Technology and Spectatorship (1st New edition), Hector J. Perez, The contributions in this volume reflect the efforts of musicology to understand a hybrid area with a fascinating evolution. They aim to address the relationship between opera and audiovisual technology from its origins to today by offering the results of a balanced critical and innovative approach. The reader interested in opera, aesthetics, narrative or transmediality will find concrete approaches devoted to an unexplored diversity of aspects with an impact on the narrative conditions in which we watch opera on screen. The variety of perspectives shows how original methodological approaches are able to design a new map of the main transmedial problems of opera in TV, DVD and even in phonography. The book offers not only isolated theoretical contributions but seeks a connection of them with significant practice oriented approaches coming from the fields of video direction and composition. Bookseller Inventory # B9783034305426

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Book Description Peter Lang Jan 2012, 2012. Taschenbuch. Book Condition: Neu. Neuware - The contributions in this volume reflect the efforts of musicology to understand a hybrid area with a fascinating evolution. They aim to address the relationship between opera and audiovisual technology from its origins to today by offering the results of a balanced critical and innovative approach. The reader interested in opera, aesthetics, narrative or transmediality will find concrete approaches devoted to an unexplored diversity of aspects with an impact on the narrative conditions in which we watch opera on screen. The variety of perspectives shows how original methodological approaches are able to design a new map of the main transmedial problems of opera in TV, DVD and even in phonography. The book offers not only isolated theoretical contributions but seeks a connection of them with significant practice oriented approaches coming from the fields of video direction and composition. 187 pp. Englisch. Bookseller Inventory # 9783034305426

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Book Description Peter Lang Jan 2012, 2012. Taschenbuch. Book Condition: Neu. Neuware - The contributions in this volume reflect the efforts of musicology to understand a hybrid area with a fascinating evolution. They aim to address the relationship between opera and audiovisual technology from its origins to today by offering the results of a balanced critical and innovative approach. The reader interested in opera, aesthetics, narrative or transmediality will find concrete approaches devoted to an unexplored diversity of aspects with an impact on the narrative conditions in which we watch opera on screen. The variety of perspectives shows how original methodological approaches are able to design a new map of the main transmedial problems of opera in TV, DVD and even in phonography. The book offers not only isolated theoretical contributions but seeks a connection of them with significant practice oriented approaches coming from the fields of video direction and composition. 187 pp. Englisch. Bookseller Inventory # 9783034305426

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Book Description Peter Lang Jan 2012, 2012. Taschenbuch. Book Condition: Neu. Neuware - The contributions in this volume reflect the efforts of musicology to understand a hybrid area with a fascinating evolution. They aim to address the relationship between opera and audiovisual technology from its origins to today by offering the results of a balanced critical and innovative approach. The reader interested in opera, aesthetics, narrative or transmediality will find concrete approaches devoted to an unexplored diversity of aspects with an impact on the narrative conditions in which we watch opera on screen. The variety of perspectives shows how original methodological approaches are able to design a new map of the main transmedial problems of opera in TV, DVD and even in phonography. The book offers not only isolated theoretical contributions but seeks a connection of them with significant practice oriented approaches coming from the fields of video direction and composition. 187 pp. Englisch. Bookseller Inventory # 9783034305426

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Book Description Peter Lang Jan 2012, 2012. Taschenbuch. Book Condition: Neu. Neuware - The contributions in this volume reflect the efforts of musicology to understand a hybrid area with a fascinating evolution. They aim to address the relationship between opera and audiovisual technology from its origins to today by offering the results of a balanced critical and innovative approach. The reader interested in opera, aesthetics, narrative or transmediality will find concrete approaches devoted to an unexplored diversity of aspects with an impact on the narrative conditions in which we watch opera on screen. The variety of perspectives shows how original methodological approaches are able to design a new map of the main transmedial problems of opera in TV, DVD and even in phonography. The book offers not only isolated theoretical contributions but seeks a connection of them with significant practice oriented approaches coming from the fields of video direction and composition. 187 pp. Englisch. Bookseller Inventory # 9783034305426

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