Mourning Ruby

Helen Dunmore

ISBN 10: 0753170493 / ISBN 13: 9780753170496

Published by ISIS Large Print Books, 2004

About this Item

Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. Seller Inventory # Z1-S-026-02655

Bibliographic Details

Title: Mourning Ruby

Publisher: ISIS Large Print Books

Publication Date: 2004

Binding: Hardcover

Condition: Good

About this title

Synopsis:

Like a Russian doll, this is a novel of interlocking stories, each one opening to reveal another. It tells not only the story of the loss of a child and its effect on three people, but an account of a young girl's life in a brothel during WWI, the magical story of a circus acrobat, and the history of Stalin's first wife and her mysterious fate. Mourning Ruby is Helen Dunmore's most ambitious novel to date, hugely moving and strongly plotted, about memory, history - personal and public - about imagination, and ultimately about the most important relationship of all in any novel - that of the reader to the writer.

Review:

Described on its jacket as resembling "a Russian Doll", Helen Dunmore's Mourning Ruby is certainly more of an assemblage of interconnected tales than a full novel. It's a work that plays the old "stories within stories" game; there are quotes from poems (Mandelstam, Byron, Dickinson and some of Dunmore's own pieces) and folk songs and nearly the last third of the book is given over to shards of a novel in progress written by one of the characters. As in Talking to the Dead and With Your Crooked Heart, the main protagonists here--Rebecca, her husband Adam, and Joe, her old flatmate, a Stalin-obsessed writer--form another of Dunmore's intriguing sexual/sibling triangles.

As the title confirms though, it's the death of Rebecca and Adam's child, Ruby, in a road accident that dominates. In the depiction of this horrific incident, Dunmore at one point breaks into verse, crystallising in just a few sparse, stream of consciousness lines Rebecca's agony as, impotently, she watches the tragedy unfold: "She always stops at roads, she's never run into a road, but look how fast she's going Adam, she's too far ahead, the gap between them, stop Ruby, stop Ruby, stop Rubystop."

Rebecca's loss is even greater because she is herself a lost child, a foundling who was abandoned in a shoebox outside an Italian restaurant. But, if this is a book about the many permutations of loss, it is equally about creativity, artistic as well as biological. Through Rebecca's encounters with her boss, Mr Damiano, the former circus impresario turned hotelier, and Joe's "story", Dunmore salutes, through the very medium of fiction itself, the healing power of the imagination. --Travis Elborough