2010. First Edition. Hardcover. Presents an account of the Italian Baroque painter Michelangelo Merisi da Caravaggio (1573-1610) and the artist's revolutionary achievement. This book focuses on the emergence of the full-blown 'gallery picture' in Rome during the last decade of the sixteenth century and the first decades of the seventeenth. Series: The A.W. Mellon Lectures in the Fine Arts. Num Pages: 328 pages, 194 color illus. 9 halftones. BIC Classification: ACQB; AFC; AGB. Category: (G) General (US: Trade); (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 287 x 220 x 34. Weight in Grams: 1748. . . . . . Books ship from the US and Ireland. Bookseller Inventory #
This is a groundbreaking examination of one of the most important artists in the Western tradition by one of the leading art historians and critics of the past half-century. In his first extended consideration of the Italian Baroque painter Michelangelo Merisi da Caravaggio (1573-1610), Michael Fried offers a transformative account of the artist's revolutionary achievement. Based on the A. W. Mellon Lectures in the Fine Arts delivered at the National Gallery of Art, The Moment of Caravaggio displays Fried's unique combination of interpretive brilliance, historical seriousness, and theoretical sophistication, providing sustained and unexpected readings of a wide range of major works, from the early Boy Bitten by a Lizard to the late Martyrdom of Saint Ursula. And with close to 200 color images, The Moment of Caravaggio is as richly illustrated as it is closely argued. The result is an electrifying new perspective on a crucial episode in the history of European painting.
Focusing on the emergence of the full-blown "gallery picture" in Rome during the last decade of the sixteenth century and the first decades of the seventeenth, Fried draws forth an expansive argument, one that leads to a radically revisionist account of Caravaggio's relation to the self-portrait; of the role of extreme violence in his art, as epitomized by scenes of decapitation; and of the deep structure of his epoch-defining realism. Fried also gives considerable attention to the art of Caravaggio's great rival, Annibale Carracci, as well as to the work of Caravaggio's followers, including Orazio and Artemisia Gentileschi, Bartolomeo Manfredi, and Valentin de Boulogne.
From the Inside Flap:
"Seldom does one encounter a profoundly surprising yet rigorously historical reading of a very familiar work; in The Moment of Caravaggio this happens with painting after painting. Though an account primarily of Caravaggio and his circle, Fried's discussions of address, of autonomy, of interiority, and of the dispositif of easel painting, among other topics, will resonate across the field. Every scholar of early modern art should read this book."--Michael W. Cole, Columbia University
"No one sees paintings better than Michael Fried, or thinks as persistently or with such philosophical depth about such seeing, about the very possibility of pictorial meaning. The Moment of Caravaggio is a spectacular, compelling addition to his oeuvre. An engrossing and often simply thrilling read, the book is a triumph."--Robert B. Pippin, University of Chicago
"This is a dazzling tour de force. Michael Fried's readings of a series of Caravaggio's most fascinating and enigmatic pictures keep one turning the pages with the greatest pleasure. Fried's arguments are compelling, muscular, and graceful."--Leonard Barkan, Princeton University
Title: The Moment of Caravaggio (A. W. Mellon ...
Publisher: Princeton University Press
Book Condition: New
Book Description Princeton University Press, 2010. Book Condition: Very Good. N/A. Great condition for a used book! Minimal wear. Bookseller Inventory # GRP34576612
Book Description Princeton University Press, 2010. Hardcover. Book Condition: Used: Acceptable. Clean condition, damaged with A TEAR ON THE COVER, no missing pages, clean pages. Bookseller Inventory # B-12834
Book Description Princeton University Press, Princeton NJ, 2010. Hard Cover. Book Condition: Very Good. Dust Jacket Condition: Good. Not ex-library book.301 pages including index. Good condition. Taped at four corners to keep jacket on book. Slight wear at corners. Some scuffing on the back. Book has slight shelf wear. Spine slightly cocked. Page edges have very light scuffing and soiling. Clean text. Tight binding. Size: 4to - over 9¾" - 12" tall. Bookseller Inventory # 028183
Book Description 2010. HRD. Book Condition: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Bookseller Inventory # KS-9780691147017
Book Description 2010. HRD. Book Condition: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Bookseller Inventory # IB-9780691147017
Book Description Princeton University Press, 2010. HRD. Book Condition: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Bookseller Inventory # WP-9780691147017
Book Description Princeton University Press, Princeton, NJ, 2010. Hardcover. Book Condition: Fine. Dust Jacket Condition: Fine. 4to - over 9¾ - 12" tall. 328pp. Fine hardcover cloth in pristine dust-jacket. Lavishly and extensively illustrated. The 51st volume of the A. W. Mellon Lectures in the Fine Arts, which are delivered annually at the National Gallery of Art, Washington. Bookseller Inventory # 009979
Book Description Princeton University Press 2010-08-27, Princeton, N.J. |Woodstock, 2010. hardback. Book Condition: New. Bookseller Inventory # 9780691147017
Book Description Princeton University Press, 2010. Hardcover. Book Condition: New. Bookseller Inventory # 0691147019
Book Description Princeton University Press, 2010. Hardcover. Book Condition: Used: Acceptable. Bookseller Inventory # SONG0691147019