Mendelssohn, the Organ, and the Music of the Past (Eastman Studies in Music)

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ISBN 10: 1580464742 / ISBN 13: 9781580464741
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Examines Mendelssohn's relationship to the past, shedding light on the construction of historical legacies that, in some cases, served to assert German cultural supremacy only two decades after the composer's death. Editor(s): Thym, Jurgen. Series: Eastman Studies in Music. Num Pages: 350 pages, 11 black & white illustrations, 31 black & white line drawings. BIC Classification: 1DFG; 3JH; AVGC5; AVH; JFC. Category: (P) Professional & Vocational. Dimension: 163 x 237 x 26. Weight in Grams: 720. . 2014. Hardcover. . . . . Books ship from the US and Ireland. Bookseller Inventory #

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Synopsis: By upbringing, family connections, and education, Felix Mendelssohn was ideally positioned to contribute to the historical legacies of the German people, who in the aftermath of the Napoleonic Wars discovered that they were a nation with a distinct culture. The number of cultural icons of German nationalism that Mendelssohn "discovered," promoted, or was asked to promote (by way of commissions) in his compositions is striking: Gutenberg and the invention of the printing press, Dürer and Nuremberg, Luther and the Augsburg Confession as the manifesto of Protestantism, Bach and the St. Matthew Passion, Beethoven and his claims to universal brotherhood. The essays in this volume investigate from a variety of perspectives Mendelssohn's relationship to the music of the past, including the significance of Bach's music for the Mendelssohn family, the homages to Bach in Mendelssohn's organ compositions, the influence of Beethoven in the Reformation Symphony, and Mendelssohn's reception and use of Handel's oratorios. Together, the essays shed light on the construction of legacies that, in some cases, served to assert German cultural supremacy only two decades after the composer's death in 1847. Contributors: Celia Applegate, John Michael Cooper, Hans Davidsson, Wm. A. Little, Peter Mercer-Taylor, Siegwart Reichwald, Glenn Stanley, Russell Stinson, Benedict Taylor, Nicholas Thistlethwaite, Jürgen Thym, R. Larry Todd, Christoph Wolff Jürgen Thym is professor emeritus of musicology at the Eastman School of Music and editor of Of Poetry and Song: Approaches to the Nineteenth-Century Lied (University of Rochester Press, 2010).

About the Author: Jürgen Thym is Professor Emeritus of Musicology at the Eastman School of Music and editor of Of Poetry and Song: Approaches to the Nineteenth-Century Lied (University of Rochester Press, 2010).

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Title: Mendelssohn, the Organ, and the Music of the...
Publisher: University of Rochester Press
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Thym, Jürgen (editor)
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Book Description University of Rochester Press, Rochester, New York, U.S.A., 2014. Hardcover. Book Condition: Very Good. No Jacket. 6 x 9 1/2" 741 Music VERY GOOD / NO DUST JACKET. 350 pp. Text clean and unmarked. Illustrated paper over board in very good condition, no wear. Binding firm. A collection of previously unpublished essays on Mendelssohn. Bookseller Inventory # BR004588

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Book Description Boydell Brewer Ltd, United States, 2014. Hardback. Book Condition: New. Language: English . Brand New Book. By upbringing, family connections, and education, Felix Mendelssohn was ideally positioned to contribute to the historical legacies of the German people, who in the aftermath of the Napoleonic Wars discovered that they were a nation with a distinct culture. The number of cultural icons of German nationalism that Mendelssohn discovered, promoted, or was asked to promote (by way of commissions) in his compositions is striking: Gutenberg and the invention of the printing press, Durer and Nuremberg, Luther and the Augsburg Confession as the manifesto of Protestantism, Bach and the St. Matthew Passion, Beethoven and his claims to universal brotherhood. The essays in this volume investigate from a variety of perspectives Mendelssohn s relationship to the music of the past, including the significance of Bach s music for the Mendelssohn family, the homages to Bach in Mendelssohn s organ compositions, the influence of Beethoven in the Reformation Symphony, and Mendelssohn s reception and use of Handel s oratorios.Together, the essays shed light on the construction of legacies that, in some cases, served to assert German cultural supremacy only two decades after the composer s death in 1847. Contributors: Celia Applegate, John Michael Cooper, Hans Davidsson, Wm. A. Little, Peter Mercer-Taylor, Siegwart Reichwald, Glenn Stanley, Russell Stinson, Benedict Taylor, Nicholas Thistlethwaite, Jurgen Thym, R. Larry Todd, Christoph Wolff Jurgen Thym is professor emeritus of musicology at the Eastman School of Music and editor of Of Poetry and Song: Approaches to the Nineteenth-Century Lied (University of Rochester Press, 2010). Bookseller Inventory # AAU9781580464741

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Book Description Boydell & Brewer Ltd. Hardback. Book Condition: new. BRAND NEW, Mendelssohn, the Organ, and the Music of the Past: Constructing Historical Legacies, Jurgen Thym, By upbringing, family connections, and education, Felix Mendelssohn was ideally positioned to contribute to the historical legacies of the German people, who in the aftermath of the Napoleonic Wars discovered that they were a nation with a distinct culture. The number of cultural icons of German nationalism that Mendelssohn "discovered," promoted, or was asked to promote (by way of commissions) in his compositions is striking: Gutenberg and the invention of the printing press, Durer and Nuremberg, Luther and the Augsburg Confession as the manifesto of Protestantism, Bach and the St. Matthew Passion, Beethoven and his claims to universal brotherhood. The essays in this volume investigate from a variety of perspectives Mendelssohn's relationship to the music of the past, including the significance of Bach's music for the Mendelssohn family, the homages to Bach in Mendelssohn's organ compositions, the influence of Beethoven in the Reformation Symphony, and Mendelssohn's reception and use of Handel's oratorios. Together, the essays shed light on the construction of legacies that, in some cases, served to assert German cultural supremacy only two decades after the composer's death in 1847. Contributors: Celia Applegate, John Michael Cooper, Hans Davidsson, Wm. A. Little, Peter Mercer-Taylor, Siegwart Reichwald, Glenn Stanley, Russell Stinson, Benedict Taylor, Nicholas Thistlethwaite, Jurgen Thym, R. Larry Todd, Christoph Wolff Jurgen Thym is professor emeritus of musicology at the Eastman School of Music and editor of Of Poetry and Song: Approaches to the Nineteenth-Century Lied (University of Rochester Press, 2010). Bookseller Inventory # B9781580464741

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Book Description University of Rochester Press, 2014. Book Condition: New. Examines Mendelssohn's relationship to the past, shedding light on the construction of historical legacies that, in some cases, served to assert German cultural supremacy only two decades after the composer's death. Editor(s): Thym, Jurgen. Series: Eastman Studies in Music. Num Pages: 350 pages, 11 black & white illustrations, 31 black & white line drawings. BIC Classification: 1DFG; 3JH; AVGC5; AVH; JFC. Category: (P) Professional & Vocational. Dimension: 163 x 237 x 26. Weight in Grams: 720. . 2014. Hardcover. . . . . . Bookseller Inventory # V9781580464741

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Book Description Boydell Brewer Ltd, United States, 2014. Hardback. Book Condition: New. Language: English . Brand New Book. By upbringing, family connections, and education, Felix Mendelssohn was ideally positioned to contribute to the historical legacies of the German people, who in the aftermath of the Napoleonic Wars discovered that they were a nation with a distinct culture. The number of cultural icons of German nationalism that Mendelssohn discovered, promoted, or was asked to promote (by way of commissions) in his compositions is striking: Gutenberg and the invention of the printing press, Durer and Nuremberg, Luther and the Augsburg Confession as the manifesto of Protestantism, Bach and the St. Matthew Passion, Beethoven and his claims to universal brotherhood. The essays in this volume investigate from a variety of perspectives Mendelssohn s relationship to the music of the past, including the significance of Bach s music for the Mendelssohn family, the homages to Bach in Mendelssohn s organ compositions, the influence of Beethoven in the Reformation Symphony, and Mendelssohn s reception and use of Handel s oratorios. Together, the essays shed light on the construction of legacies that, in some cases, served to assert German cultural supremacy only two decades after the composer s death in 1847. Contributors: Celia Applegate, John Michael Cooper, Hans Davidsson, Wm. A. Little, Peter Mercer-Taylor, Siegwart Reichwald, Glenn Stanley, Russell Stinson, Benedict Taylor, Nicholas Thistlethwaite, Jurgen Thym, R. Larry Todd, Christoph Wolff Jurgen Thym is professor emeritus of musicology at the Eastman School of Music and editor of Of Poetry and Song: Approaches to the Nineteenth-Century Lied (University of Rochester Press, 2010). Bookseller Inventory # AAU9781580464741

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Book Description University of Rochester Press. Book Condition: New. Examines Mendelssohn's relationship to the past, shedding light on the construction of historical legacies that, in some cases, served to assert German cultural supremacy only two decades after the composer's death. Editor(s): Thym, Jurgen. Series: Eastman Studies in Music. Num Pages: 350 pages, 11 black & white illustrations, 31 black & white line drawings. BIC Classification: 1DFG; 3JH; AVGC5; AVH; JFC. Category: (P) Professional & Vocational. Dimension: 163 x 237 x 26. Weight in Grams: 720. . 2014. Hardcover. . . . . Books ship from the US and Ireland. Bookseller Inventory # V9781580464741

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