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Mei Lanfang Peking Opera abroad(Chinese Edition)

LIANG YAN ZHU

ISBN 10: 7534774942 / ISBN 13: 9787534774942
New Condition: New Soft cover
From liu xing (JiangSu, JS, China)

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Paperback. Pub Date: 2016-05-01 Pages: 530 Language: Chinese Publisher: Elephant Press book to accept and Mei Lanfang Peking Opera spread overseas and the national mainstream audience for questions. explore. organize the 12 kinds of important documents. including Mei Lanfang book Mei Lanfang tour Russia in mind. Journey to the East. an important member of the team Mei Qi Shan. Zhang Pengchun related works. such as Mei Lanfang US tour in mind. Talk about stage art. but also includes research r. Bookseller Inventory # DM003944

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Title: Mei Lanfang Peking Opera abroad(Chinese ...

Binding: paperback

Book Condition: New

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Synopsis:

本书以梅兰芳与京剧在海外的传播和所到国家的主流观众的接受为题,发掘、整理了12种重要文献,包括梅兰芳的著作《梅兰芳游俄记》、《东游记》,梅兰芳团队重要成员齐如山、张彭春的相关著述,如《梅兰芳游美记》、《舞台艺术纵横谈》,还包括美国学者的相关研究成果,如斯达克?扬所著的《梅兰芳》,以及其他外国学者多年搜求、整理的1919年和1924年日本媒体的评论、艺术界座谈会的记录,1935年苏联艺术界关于梅兰芳艺术研讨会的原始档案资料。一个世纪以前,以梅兰芳为首的一批社会精英凭借个人之力,向世界传播中国文化,他们的伟大作为不仅在中外文化交流史上影响深远,而且对我们当下中国文化"走出去"的路径提供了历史借鉴。《梅兰芳与京剧在海外》通过文献梳理,以国别为区分,具体为"梅兰芳与京剧在日本"3种,"梅兰芳与京剧在美国"4种,"梅兰芳与京剧在苏联"5种。这些发表或出版于20世纪二三十年代的文献具有重要的历史价值和研究价值。因此,编者对所有文献做了最大程度的保留,并在每一种文献的题目上加标注释,说明其最初发表或出版的时间、刊物或出版社,以及记录者、整理者和译者的相关情况。19世纪下半叶,中国还曾有戏班去过巴黎或旧金山进行公开的营业性演出,尽管反应热烈,但观众基本上是华人。19世纪末,一些西方人接触到中国剧场,对中国戏曲的舞台呈现依然感到非常隔膜:"所有演员的吐字都是单音节的,我从未听到他们发一个音而不从肺部挣扎吐出的,人们真要以为他们是遭遇惨杀时所发出的痛苦尖叫。其中一个演法官的演员在舞台上走着十分奇怪的台步。他首先将他的脚跟放在地上,然后慢慢放下鞋底,最后才是脚尖。相反的,另一个演员,却像疯子似的走来走去,手臂与腿夸张地伸动,比起我们小丑剧的表演,仍然显得太过火了。"关于中国戏曲的演唱,一位法国人做了如此的描绘:"高到刺耳以至无以忍受的程度,那尖锐的声音让人想到一只坏了喉咙的猫叫声一样的难听。"②其反感的态度显而易见。也有西方观众持一种客观的态度,耐心观察中国戏曲的舞台,比如对于检场人的理解:"穿着和我们在生活中街上看到的中国人一样的装束的仆人们,走上舞台,走到那些衣冠楚楚的演员中去,在他们演出中,递个茶杯给这个,送把宝剑给那个,因为剧本提示要求这样做。"比如对舞台空间的认识:"舞台是开放的,没有幕布,也没有翼厢,只有两道门,一进一出。"③比如对中国演员动作的领会:"如果戏里的情节要表现过桥的情节,就放两张桌子,相隔三四英尺。然后两桌之间搭一块板子,演员由一把椅子登上桌子,以那块板子为桥,从这边桌子走到那边桌子,由另一把椅子下地。如果一个演员要表演他正骑马背上的状态,他通过哑剧表演跨上了想象中存在的骏马,并用鞭子,用很快的频率抽打他身后想象中的马屁股。"①应该说,这些解读虽不带偏见,但毕竟还停留在比较肤浅的认知层面。20世纪初叶,中国戏曲的海外传播迎来了一个新的时代。"梅兰芳"和中国戏曲中最具代表性的一个剧种---"京剧"显得格外响亮。其实,梅兰芳早在20世纪一二十年代就已蜚声亚洲。1919年4月,应日本东京帝国剧场的邀请,梅兰芳率团到日本东京帝国剧场、大阪中央公会、神户聚乐馆等演出17天,演出剧目有《天女散花》《嫦娥奔月》《黛玉葬花》《千

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