John Cage and David Tudor: Correspondence on Interpretation and Performance (Music Since 1900)

Iddon, Martin

Published by Cambridge University Press, 2013
ISBN 10: 1107014328 / ISBN 13: 9781107014329
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2013. Hardcover. Martin Iddon discusses one of the twentieth century's most provocative musical collaborations: between composer John Cage and pianist David Tudor. Series: Music Since 1900. Num Pages: 240 pages, 9 b/w illus. 1 table 1 music example. BIC Classification: AVGC6; AVH. Category: (U) Tertiary Education (US: College). Dimension: 254 x 180 x 18. Weight in Grams: 600. Correspondence on Interpretation and Performance. Series: Music Since 1900. 237 pages, 9 b/w illus. 1 table 1 music example. Martin Iddon discusses one of the twentieth century's most provocative musical collaborations: between composer John Cage and pianist David Tudor. Cateogry: (U) Tertiary Education (US: College). BIC Classification: AVGC6; AVH. Dimension: 254 x 180 x 18. Weight: 604. . . . . . Books ship from the US and Ireland. Bookseller Inventory # V9781107014329

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Title: John Cage and David Tudor: Correspondence on...
Publisher: Cambridge University Press
Publication Date: 2013
Binding: Hardcover
Book Condition: New

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Martin Iddon
Published by Cambridge University Press (2013)
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Book Description Cambridge University Press, 2013. Gebundene Ausgabe. Book Condition: Neu. Neu Neuware, Importqualität, Versand per DHL/Dpd - Martin Iddon discusses one of the twentieth century's most provocative musical collaborations: between composer John Cage and pianist David Tudor. 237 pp. Englisch. Bookseller Inventory # INF1000202446

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Book Description Cambridge University Press. Hardback. Book Condition: new. BRAND NEW PRINT ON DEMAND., John Cage and David Tudor: Correspondence on Interpretation and Performance, Martin Iddon, John Cage is best known for his indeterminate music, which leaves a significant level of creative decision-making in the hands of the performer. But how much licence did Cage allow? Martin Iddon's book is the first volume to collect the complete extant correspondence between the composer and pianist David Tudor, one of Cage's most provocative and significant musical collaborators. The book presents their partnership from working together in New York in the early 1950s, through periods on tour in Europe, until the late stages of their work from the 1960s onwards, carried out almost exclusively within the frame of the Merce Cunningham Dance Company. Tackling the question of how much creative flexibility Tudor was granted, Iddon includes detailed examples of the ways in which Tudor realised Cage's work, especially focusing on Music of Changes to Variations II, to show how composer and pianist influenced one another's methods and styles. Bookseller Inventory # B9781107014329

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Book Description Cambridge University Press, 2016. Paperback. Book Condition: New. PRINT ON DEMAND Book; New; Publication Year 2016; Not Signed; Fast Shipping from the UK. No. book. Bookseller Inventory # ria9781107014329_lsuk

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Book Description Cambridge University Press, 2013. HRD. Book Condition: New. New Book. Delivered from our US warehouse in 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND.Established seller since 2000. Bookseller Inventory # IP-9781107014329

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Book Description Cambridge University Press, 2013. HRD. Book Condition: New. New Book.Shipped from US within 10 to 14 business days.THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Bookseller Inventory # IP-9781107014329

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Book Description 2013. Book Condition: New. 182mm x 254mm x 22mm. John Cage is best known for his indeterminate music, which leaves a significant level of creative decision-making in the hands of the performer. But how much licence did Cage allow? Mart.Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 240 pages. 0.603. Bookseller Inventory # 9781107014329

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Book Description CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2013. Hardback. Book Condition: New. 246 x 178 mm. Language: English . Brand New Book ***** Print on Demand *****.John Cage is best known for his indeterminate music, which leaves a significant level of creative decision-making in the hands of the performer. But how much licence did Cage allow? Martin Iddon s book is the first volume to collect the complete extant correspondence between the composer and pianist David Tudor, one of Cage s most provocative and significant musical collaborators. The book presents their partnership from working together in New York in the early 1950s, through periods on tour in Europe, until the late stages of their work from the 1960s onwards, carried out almost exclusively within the frame of the Merce Cunningham Dance Company. Tackling the question of how much creative flexibility Tudor was granted, Iddon includes detailed examples of the ways in which Tudor realised Cage s work, especially focusing on Music of Changes to Variations II, to show how composer and pianist influenced one another s methods and styles. Bookseller Inventory # APC9781107014329

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Book Description Cambridge University Press, 2013. Hardcover. Book Condition: New. Bookseller Inventory # INGM9781107014329

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Book Description CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2013. Hardback. Book Condition: New. 246 x 178 mm. Language: English . Brand New Book ***** Print on Demand *****. John Cage is best known for his indeterminate music, which leaves a significant level of creative decision-making in the hands of the performer. But how much licence did Cage allow? Martin Iddon s book is the first volume to collect the complete extant correspondence between the composer and pianist David Tudor, one of Cage s most provocative and significant musical collaborators. The book presents their partnership from working together in New York in the early 1950s, through periods on tour in Europe, until the late stages of their work from the 1960s onwards, carried out almost exclusively within the frame of the Merce Cunningham Dance Company. Tackling the question of how much creative flexibility Tudor was granted, Iddon includes detailed examples of the ways in which Tudor realised Cage s work, especially focusing on Music of Changes to Variations II, to show how composer and pianist influenced one another s methods and styles. Bookseller Inventory # APC9781107014329

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Book Description Cambridge University Press. Hardcover. Book Condition: New. Hardcover. 240 pages. Dimensions: 9.7in. x 7.0in. x 0.9in.John Cage is best known for his indeterminate music, which leaves a significant level of creative decision-making in the hands of the performer. But how much licence did Cage allow Martin Iddons book is the first volume to collect the complete extant correspondence between the composer and pianist David Tudor, one of Cages most provocative and significant musical collaborators. The book presents their partnership from working together in New York in the early 1950s, through periods on tour in Europe, until the late stages of their work from the 1960s onwards, carried out almost exclusively within the frame of the Merce Cunningham Dance Company. Tackling the question of how much creative flexibility Tudor was granted, Iddon includes detailed examples of the ways in which Tudor realised Cages work, especially focusing on Music of Changes to Variations II, to show how composer and pianist influenced one anothers methods and styles. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Hardcover. Bookseller Inventory # 9781107014329

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