John Braham

Published by London, Great Britain, 1824

About this Item

John Braham (c. 1774 - 17 February 1856) was a tenor opera singer born in London, England. His long career led him to become one of Europe's leading opera stars. He also wrote a number of songs, of minor importance, although The Death of Nelson is still remembered. His success, and that of his offspring in marrying into the British aristocracy, are also notable examples of Jewish social mobility in the early 19th century. Braham's precise origins are uncertain. The favored (but specious) present account in contemporary sources of reference is that he was possibly a son of John Abraham or Abrahams, who was possibly an operative at the Drury Lane Theatre who died in 1779 and his wife, who may have been Esther, who may have been a sister of the hazzan at the Great Synagogue of London, Myer Lyon. Braham has also been held to be related to various other London musicians with the surname of Abrahams. There is however no documentary evidence for any of these supposed connections. It is however fairly certain that Braham was left an orphan at an early age. There are stories of his selling pencils in the street as an urchin (a common trade for the Jewish poor at the time). Braham was a meshorrer (descant singer) at the Great Synagogue, and here his abilities were noted by Lyon, who led a double life as an operatic tenor at the theatre at Covent Garden (under the name of Michaele Leoni). Braham¿s first stage appearance was in fact at Leoni's Covent Garden 1787 benefit, when he sang Thomas Arne's The soldier tir¿d of war¿s alarms. He next appeared in June at the Royalty Theatre, again with Leoni. After 1788 however we do not hear of a public performance until Braham appeared at Bath under the aegis of his teacher, the male soprano Venanzio Rauzzini in 1794. This empty period will have coincided with the departure of Leoni and also with Braham's voice breaking. It also therefore suggests a birthdate of around 1774 or 1775, rather than the 1777 date given by nearly all modern sources. During this period he was supported by the Goldsmid family. The Goldsmids were influential financiers who maintained their friendship with Braham later in his career and also used him as entertainment at their soirées. Their neighbour and occasional guest there was Horatio Nelson, whose heroic fate was later to prompt Braham's greatest song-writing success, The Death of Nelson. (It first appeared in the opera The Americans, (Lyceum Theatre, 1811). Lady Hamilton, who was in a private box for the performance, was reported to have been so overcome that she suffered a fit of hysterics and had to leave the theatre). Braham was trained by Rauzzini from 1794 to 1796. It is very likely in fact that the Goldsmids paid for Braham to be articled to Rauzzini, who was a leader in Bath's musical society. After his first performance at Bath in 1794, the Bath Chronicle eulogised him as 'a sweet singer of Israel¿ and explained that he derived. . . from the synagogue, though by the simple expedient of dropping the A at the beginning of his name, he got rid of the patriarchal appellation and Christianized himself. It is interesting that this positive review at the beginning of his career highlights Braham's Jewishness. This together with the 'inside information' which had clearly been provided to the newspaper suggests that (in England anyway) his origins were not regarded as a bar to his career. At this point, despite the implications of the article, in fact Braham had made no moves to conversion, although he may well have attended church as social custom of the time required. Rauzzini's pupils included the celebrated Irish tenor Michael Kelly, creator of Don Basilio in Mozart's Marriage of Figaro. Braham certainly benefited from Rauzzini's influence and promotion, and acquired from him the basic precepts of the old Italian school and a virtuoso technique which was thought by some to be surpassed only by the soprano Angelica Catalani. Braham created Oberon for von Weber. Seller Inventory # 005634

Bibliographic Details

Title: John Braham

Publisher: London, Great Britain

Publication Date: 1824

Binding: No Binding

Condition: Very Good