Stock Image

Installation and the Moving Image

Elwes, Catherine

0 ratings by Goodreads
ISBN 10: 0231174500 / ISBN 13: 9780231174503
Published by Wallflower Press
New Condition: New Hardcover
From Kennys Bookstore (Olney, MD, U.S.A.)

AbeBooks Seller Since 09 October 2009

Quantity Available: 1

About this Item

Num Pages: 216 pages, 20 b&w. BIC Classification: ABA; AFKN. Category: (P) Professional & Vocational. Dimension: 164 x 243 x 24. Weight in Grams: 666. . 2015. Hardcover. . . . . Books ship from the US and Ireland. Bookseller Inventory # V9780231174503

Ask Seller a Question

Bibliographic Details

Title: Installation and the Moving Image

Publisher: Wallflower Press

Binding: Hardcover

Book Condition:New

About this title

Synopsis:

Film and video create an illusory world, a reality elsewhere, and a material presence that both dramatizes and demystifies the magic trick of moving pictures. Beginning in the 1960s, artists have explored filmic and televisual phenomena in the controlled environments of galleries and museums, drawing on multiple antecedents in cinema, television, and the visual arts. This volume traces the lineage of moving-image installation through architecture, painting, sculpture, performance, expanded cinema, film history, and countercultural film and video from the 1960s, 1970s, and 1980s.

Sound is given due attention, along with the shift from analogue to digital, issues of spectatorship, and the insights of cognitive science. Woven into this genealogy is a discussion of the procedural, political, theoretical, and ideological positions espoused by artists from the mid-twentieth century to the present. Historical constructs such as Peter Gidal's structural materialism, Maya Deren's notion of vertical and horizontal time, and identity politics are reconsidered in a contemporary context and intersect with more recent thinking on representation, subjectivity, and installation art.

The book is written by a critic, curator, and practitioner who was a pioneer of British video and feminist art politics in the late 1970s. Elwes writes engagingly of her encounters with works by Anthony McCall, Gillian Wearing, David Hall, and Janet Cardiff, and her narrative is informed by exchanges with other practitioners. While the book addresses the key formal, theoretical, and historical parameters of moving-image installation, it ends with a question: "What's in it for the artist?"

About the Author:

Catherine Elwes is Professor of Moving Image Art at Chelsea College of Arts, University of the Arts London, and founding editor of Moving Image Review and Art Journal (MIRAJ). Elwes is the author of Video Art: A Guided Tour (2005) and Video Loupe (2000) and the founding editor of the Moving Image Review & Art Journal (MIRAJ).

"About this title" may belong to another edition of this title.

Store Description

We carry a comprehensive range of out of print and rare books.

Visit Seller's Storefront

Terms of Sale:

We guarantee the condition of every book as it's described on the Abebooks web
sites. If you're dissatisfied with your purchase (Incorrect Book/Not as
Described/Damaged) or if the order hasn't arrived, you're eligible for a refund
within 30 days of the estimated delivery date. For any queries please use the contact seller link or send an email to books@kennys.ie,

Conor Kenny

Shipping Terms:

All books securely packaged. Some books ship from Ireland.

List this Seller's Books

Payment Methods
accepted by seller

Visa Mastercard American Express