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Synopsis: * Harvey Quaytman's interpretation of 1960s minimalism and hard-edge abstraction culminated in work that swayed between two and three dimensions. The result was sometimes odd but always elegant: arching forms appear like wedged shoehorns within the pictorial space, gently exposing painting's material infrastructure. During the 1970s, Quaytman delved further into abstraction, experimenting with rich, heavy pigments as well as his signature medium, rust. From 1985 onwards his work focused on the intersection of lines in cruciform shapes, giving his lifelong curiosity about the nature of painting a strict, mathematical logic. This book explores his work.

About the Author: Dore Ashton is a writer, professor and critic of modern and contemporary art. She is the author or editor of more than thirty books on art, including Noguchi East and West, About Rothko, American Art Since 1945, The New York School: A Cultural Reckoning, and Picasso On Art. Ashton has also contributed to many publications including Art Digest and worked as an art critic at the New York Times. Ashton was one of the New York art critics who championed the New York School, whose members also included Harold Rosenberg and Barbara Rose.

Ashton is a professor of art history at the Cooper Union in New York and a senior critic in painting and printmaking at Yale.She received an MA from Harvard University.

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Dore Ashton
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Book Description Phaidon, 2014. Hardcover with dustjacket, 144 pages, POOR condition, large heavy tear and deep abrasion to upper right corner of front cover; no internal marks, clean and crisp. As is; fine reading copy. Foreign shipping may be extra. Bookseller Inventory # HaQuPh15

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Book Description Phaidon Press Limited, London, Great Britain, 2014. First Edition. Qto. VG+/VG+. pale gray DJ spine with bold black title and publisher at opposite ends, with red/black mid-spine band. bands extend onto jacket front. very wide inner flaps, DJ snug over pale linen clothbound HB, medium incised gray lettering down spine and cover. includes full-color images of more than 100 paintings and drawings, as well as archival photos. very tightly bound, and like new quality. 144 pp. ISBN# 9780714865805. ART (MODERN). Rockville. Bookseller Inventory # 7-13-1253911

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Book Description Phaidon Press Ltd. Hardback. Book Condition: new. BRAND NEW, Harvey Quaytman, Dore Ashton, Kimmo Sarje, McKee Gallery, Harvey Quaytman's interpretation of 1960s Minimalism and Hard-edge abstraction culminated in work that swayed between two and three dimensions. The result was sometimes odd but always elegant: arching forms appear like wedged shoehorns within the pictorial space, gently exposing painting's material infrastructure. During the 1970s, Quaytman delved further into abstraction, experimenting with rich, heavy pigments as well as his signature medium, rust. From 1985 onwards his work focused on the intersection of lines in cruciform shapes, giving his lifelong curiosity about the nature of painting a strict, mathematical logic. Bookseller Inventory # B9780714865805

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