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Harlequin Unmasked: The Commedia Dell'Arte and Porcelain Sculpture

Chilton, Curator Meredith; Chilton, Meredith

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ISBN 10: 0300090099 / ISBN 13: 9780300090093
Published by Yale University Press, U.S.A., 2001
Condition: As New Hardcover
From Contact Editions, ABAC, ILAB (Toronto, ON, Canada)

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Silver lettered purple cloth, in pictorial dust jacket. Size: Quarto. Bookseller Inventory # 22321

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Bibliographic Details

Title: Harlequin Unmasked: The Commedia Dell'Arte ...

Publisher: Yale University Press, U.S.A.

Publication Date: 2001

Binding: Hard Cover

Book Condition:As New

Dust Jacket Condition: As New

Signed: Inscribed By the Author

About this title

Synopsis:

The commedia dell'arte began in Italy as irreverent, improvised street theatre and is best known for its exuberant characters, specifically Harlequin, Pantalone, Pulcinella, Scaramouche, and Colombine, among others. Since the sixteenth century, these personalities have inspired paintings, engravings, and porcelain sculptures. Encompassing theatre, court culture, masquerades, and the decorative arts, this splendidly illustrated and engaging book offers original perspectives on porcelain commedia figures while also making an important contribution to the study of the commedia dell'arte. The volume focuses on nearly 150 porcelain sculptures as it tells the story of the commedia dell'arte's transformation into sculpture. Why were the figures made? Why do they appear as they do? What inspired their gestures and costumes? How did street-theatre themes become integrated into court life and entertainment? Examining these delightful porcelain figures in greater breadth and detail than ever before, this book is essential for those interested in theatre, painting, costume, and the decorative arts. This catalogue accompanies an exhibition at the Gardiner Museum of Ceramic Art, Toronto, from 21st September 2001 to 20th January 2002.

From the Publisher:

This catalogue accompanies an exhibition at the Gardiner Museum of Ceramic Art, Toronto, from 21 September 2001 to 20 January 2002. Published in association with the George R. Gardiner Museum of Ceramic Art, Toronto

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