Great Satan'S Rage: American negativity and rap/metal in the age of supercapitalism

Wilson, Scott

Published by Manchester University Press
ISBN 10: 071909741X / ISBN 13: 9780719097416
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Synopsis: This book looks at how rap and metal, the two most pervasive popular music forms of the 1990s, have been highly engaged with America's role in the world, supercapitalism and their own role within it. This has especially been the case when genres - hitherto clearly identified as indelibly 'black' or 'white' forms of music - have crossed over as an effect of cross-racial forms of identification and desire, marketing strategy, political engagement, opportunism and experimentation. It is how examples of these forms have negotiated, contested, raged against, survived, exploited, simulated and performed 'Satan's rage' that is the subject of this book.

The book offers a highly original approach in relating rap/metal to critical theories of economy and culture, introducing a new method of cultural analysis based on theories of negativity and expenditure that will be of great interest to students in media and cultural studies, American studies, critical and cultural theory, advertising and marketing, and sociology and politics.

About the Author:
Scott Wilson is Reader in Cultural Theory at Lancaster University

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Title: Great Satan'S Rage: American negativity and ...
Publisher: Manchester University Press
Binding: PAPERBACK
Book Condition: New

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Book Description Manchester University Press. Paperback. Book Condition: new. BRAND NEW, Great Satan's Rage: American Negativity and Rap/Metal in the Age of Supercapitalism, Scott Wilson, Newly available in paperback, this book looks at how rap and metal have been highly engaged with America's role in the world, supercapitalism and their own role within it. This has especially been the case when genres - hitherto clearly identified as indelibly 'black' or 'white' forms of music - have crossed over as an effect of cross-racial forms of identification and desire, marketing strategy, political engagement, opportunism and experimentation. It is how examples of these forms have negotiated, contested, raged against, survived, exploited, simulated and performed 'Satan's rage' that is the subject of this book. The book offers a highly original approach in relating rap/metal to critical theories of economy and culture, introducing a new method of cultural analysis based on theories of negativity and expenditure that will be of great interest to students in media and cultural studies, American studies, critical and cultural theory, advertising and marketing, and sociology and politics. Bookseller Inventory # B9780719097416

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Book Description MANCHESTER UNIVERSITY PRESS, United Kingdom, 2015. Paperback. Book Condition: New. Reprint. 234 x 156 mm. Language: English . Brand New Book. Newly available in paperback, this book looks at how rap and metal have been highly engaged with America s role in the world, supercapitalism and their own role within it. This has especially been the case when genres - hitherto clearly identified as indelibly black or white forms of music - have crossed over as an effect of cross-racial forms of identification and desire, marketing strategy, political engagement, opportunism and experimentation. It is how examples of these forms have negotiated, contested, raged against, survived, exploited, simulated and performed Satan s rage that is the subject of this book. The book offers a highly original approach in relating rap/metal to critical theories of economy and culture, introducing a new method of cultural analysis based on theories of negativity and expenditure that will be of great interest to students in media and cultural studies, American studies, critical and cultural theory, advertising and marketing, and sociology and politics. Bookseller Inventory # AAZ9780719097416

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Book Description Paperback. Book Condition: New. Not Signed; Newly available in paperback, this book looks at how rap and metal have been highly engaged with America's role in the world, supercapitalism and their own role within it. This has especially been the case when genres - hitherto clearly identified as indelibly 'black' or 'white' forms of music - hav. book. Bookseller Inventory # ria9780719097416_rkm

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Book Description MANCHESTER UNIVERSITY PRESS, United Kingdom, 2015. Paperback. Book Condition: New. Reprint. 234 x 156 mm. Language: English . Brand New Book. Newly available in paperback, this book looks at how rap and metal have been highly engaged with America s role in the world, supercapitalism and their own role within it. This has especially been the case when genres - hitherto clearly identified as indelibly black or white forms of music - have crossed over as an effect of cross-racial forms of identification and desire, marketing strategy, political engagement, opportunism and experimentation. It is how examples of these forms have negotiated, contested, raged against, survived, exploited, simulated and performed Satan s rage that is the subject of this book. The book offers a highly original approach in relating rap/metal to critical theories of economy and culture, introducing a new method of cultural analysis based on theories of negativity and expenditure that will be of great interest to students in media and cultural studies, American studies, critical and cultural theory, advertising and marketing, and sociology and politics. Bookseller Inventory # AAZ9780719097416

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