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Gray Sabbath: Jesus People USA, the Evangelical Left, and the Evolution of Christian Rock

Young, Shawn David

Published by Columbia University Press
ISBN 10: 0231172397 / ISBN 13: 9780231172394
New / Soft cover / Quantity Available: 4
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Bibliographic Details

Title: Gray Sabbath: Jesus People USA, the ...

Publisher: Columbia University Press

Binding: Soft cover

Book Condition: New


Num Pages: 336 pages, 11 black & white illustrations. BIC Classification: 1KBB; AVGP; HRAM2; HRCC99; HRCX7. Category: (P) Professional & Vocational. Dimension: 155 x 228 x 17. Weight in Grams: 440. . 2015. Paperback. . . . . Books ship from the US and Ireland. Bookseller Inventory # V9780231172394

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Formed in 1972, Jesus People USA is an evangelical Christian community that fundamentally transformed the American Christian music industry and the practice of American evangelicalism, which continues to evolve under its influence. In this fascinating ethnographic study, Shawn David Young replays not only the growth and influence of the group over the past three decades but also the left-leaning politics it developed that continue to serve as a catalyst for change.

Jesus People USA established a still-thriving Christian commune in downtown Chicago and a ground-breaking music festival that redefined the American Christian rock industry. Rather than join "establishment" evangelicalism and participate in what would become the megachurch movement, this community adopted a modified socialism and embraced forms of activism commonly associated with the New Left. Today the ideological tolerance of Jesus People USA aligns them closer to liberalism than to the religious right, and Young studies the embodiment of this liminality and its challenge to mainstream evangelical belief. He suggests the survival of this group is linked to a growing disenchantment with the separation of public and private, individual and community, and finds echoes of this postmodern faith deep within the evangelical subculture.

About the Author:

Shawn David Young is director of music industry and recording technology at York College of Pennsylvania. He has published research on the counterculture of the 1960s, communal living, music festivals, the politics of popular music, and Christian rock music in a number of journals, including VOLUME! The French Journal of Popular Music Studies, Religion Compass, Religions, and the Journal of Religion and Popular Culture.

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