Francesco Di Giorgio Martini's Fortress Complexes

Barth, Fritz

Published by Edition Axel Menges
ISBN 10: 3936681422 / ISBN 13: 9783936681420
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2011. Bilingual. Hardcover. Francesco di Giorgio Martini's fortress complexes, created at the end of the Quattrocento, continue to look experimental and highly speculative half a millennium later by their semiotic character. This book is an attempt to understand the strangely grandiose semiotic character of these structures. Num Pages: 128 pages, 50 photos. BIC Classification: ACN; AMB. Category: (G) General (US: Trade). Dimension: 289 x 217 x 18. Weight in Grams: 872. . . . . . Books ship from the US and Ireland. Bookseller Inventory #

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Synopsis: Francesco di Giorgio Martini's fortress complexes, created at the end of the Quattrocento, continue to look experimental and highly speculative half a millenium later by their semiotic character. They represent an extreme of European architectural history, occupying a position where architecture and sculpture cannot be sharply distinguished any longer. The alien-looking creations represented in this book have their origins in a particular historic situation: the emergence of firearms in the 14th century and their spread in the 15th century had shifted the balance of warfare in favour of the attacking side, against which the defensive structure had not yet found a remedy.

About the Author: Fritz Barth studied architecture in Stuttgart and Zurich. He runs an architects practice in Fellbach near Stuttgart, teaches at the TU Darmstadt and is the author of a series of books, including a study on the iconography of 16th-century Italian gardens (Die Villa Lante in Bagnaia , 2001), a monograph about the Bohemian Baroque master builder Johann Santini-Aichel (Santini, 2004) and a study of the fortifications of Francesco di Giorgio Martini (Martial Signifiers. Fortress Complexes by Francesco di Giorgio Martini, 2011).

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Title: Francesco Di Giorgio Martini's Fortress ...
Publisher: Edition Axel Menges
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Barth, Fritz; Metzel, Olaf
Published by Edition Axel Menges, U.S.A. (2011)
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Book Description Edition Axel Menges, U.S.A., 2011. Hardcover. Book Condition: As New. Dust Jacket Condition: As New. In MINT condition, save a tree ! Only some ever so slight edge wear on dust jacket. Bilingual - English and German. Das Buch ist in neuwertigem Zustand und zeigt kaum Gebrauchspuren. Ships airmail from Berlin bookshop. BX16. Bookseller Inventory # 7536BX16

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Barth, Fritz:
Published by Stuttgart; London: Ed. Menges, (2011)
ISBN 10: 3936681422 ISBN 13: 9783936681420
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Book Description Stuttgart; London: Ed. Menges, 2011. Book Condition: Wie neu. 119 Seiten, mit zahlreichen Abbildungen und grafischen Darstellungen, Text: Deutsch, Englisch. Leinenband mit illustriertem Schutzumschlag in neuwertigem Zustand, originalverpackt. - Francesco di Giorgio Martini’s fortress complexes, created at the end of the Quattrocento, continue to look experimental and highly speculative half a millenium later by their semiotic character. They represent an extreme of European architectural history, occupying a position where architecture and sculpture cannot be sharply distinguished any longer. The alien-looking creations represented in this book have their origins in a particular historic situation: the emergence of firearms in the 14th century and their spread in the 15th century had shifted the balance of warfare in favour of the attacking side, against which the defensive structure had not yet found a remedy. Enter Francesco di Giorgio Martini (1439–1502) at this point, a native of Siena and one of the Quattrocento’s highly versatile artists. He worked mainly in Federico da Montefeltro’s Urbino, and left behind a body of work that included painting – the three famous prospects of ideal cities in Berlin, Baltimore and Urbino are attributed to him –, sculpture – primarily his imposing reliefs –, and architecture – here he was definitely the outstanding figure between Alberti and Bramante. His achievements as an engineer are equally impressive, and his elaborate designs for machines strongly influenced those of Leonardo da Vinci. He was a true Re-naissance uomo universale, though, despite of his voluminous and influential theoretical work, less in the sense of a humanist homme de lettres than as an all-round artist. Francesco’s sacred and secular structures are classicist and austere in nature, yet his fortress structures look as if, moving beyond all functional concerns, he is exploiting the newness of the task, the lack of any tried and tested technical solutions and the removal of all typological boundaries to give his architectonic fantasies free rein, resulting in an apotheosis of the new, the unfamil-iar and the alien. This book is an attempt to understand the strangely grandiose semiotic character of these structures. In doing so, it poses the question of what strategies can be used when seeking a shape for buildings for which there is no precedent. Fritz Barth studied architecture in Stuttgart. He was written a monograph about the Villa Lante, a garden from the 16th century (Die Villa Lante in Bagnaia, Edition Axel Menges, 2001), and another one about Johann Santini Aichel, a Bohemian late-Baroque architect (Santini, 2004). He runs an architecture firm in Fellbach near Stuttgart, and also occasionally works as a photographer. (Verlagsanzeige) Sprache: Deutsch Gewicht in Gramm: 1100 Gebundene Leinenausgabe. Originalverpackt. Bookseller Inventory # 57156

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Book Description Edition Axel Menges 2011-10-01, 2011. Book Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Bookseller Inventory # NU-LBR-00963075

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Book Description Edition Axel Menges Gmbh Jul 2011, 2011. Buch. Book Condition: Neu. 291x220x20 mm. Neuware - Francesco di Giorgio Martini s fortress complexes, created at the end of the Quattrocento, continue to look experimental and highly speculative half a millenium later by their semiotic character. They represent an extreme of European architectural history, occupying a position where architecture and sculpture cannot be sharply distinguished any longer. The alien-looking creations represented in this book have their origins in a particular historic situation: the emergence of firearms in the 14th century and their spread in the 15th century had shifted the balance of warfare in favour of the attacking side, against which the defensive structure had not yet found a remedy. Enter Francesco di Giorgio Martini (1439 to 1502) at this point, a native of Siena and one of the Quattrocento s highly versatile artists. He worked mainly in Federico da Montefeltro's Urbino, and left behind a body of work that included painting - the three famous prospects of ideal cities in Berlin, Baltimore and Urbino are attributed to him -, sculpture - primarily his imposing reliefs -, and architecture - here he was definitely the outstanding figure between Alberti and Bramante. His achievements as an engineer are equally impressive, and his elaborate designs for machines strongly influenced those of Leonardo da Vinci. He was a true Renaissance uomo universale, though, despite of his voluminous and influential theoretical work, less in the sense of a humanist homme de lettres than as an allround artist.Par. Francesco s sacred and secular structures are classicist and austere in nature, yet his for-tress structures look as if, moving beyond all functional concerns, he is exploiting the newness of the task, the lack of any tried and tested technical solutions and the removal of all typological boundaries to give his architectonic fantasies free rein, resulting in an apotheosis of the new, the unfamiliar and the alien. This book is an attempt to understand the strangely grandiose semiotic character of these structures. In doing so, it poses the question of what strategies can be used when seeking a shape for buildings for which there is no precedent. 119 pp. Englisch, Deutsch. Bookseller Inventory # 9783936681420

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Book Description Edition Axel Menges Gmbh Jul 2011, 2011. Buch. Book Condition: Neu. 291x220x20 mm. Neuware - Francesco di Giorgio Martini s fortress complexes, created at the end of the Quattrocento, continue to look experimental and highly speculative half a millenium later by their semiotic character. They represent an extreme of European architectural history, occupying a position where architecture and sculpture cannot be sharply distinguished any longer. The alien-looking creations represented in this book have their origins in a particular historic situation: the emergence of firearms in the 14th century and their spread in the 15th century had shifted the balance of warfare in favour of the attacking side, against which the defensive structure had not yet found a remedy. Enter Francesco di Giorgio Martini (1439 to 1502) at this point, a native of Siena and one of the Quattrocento s highly versatile artists. He worked mainly in Federico da Montefeltro's Urbino, and left behind a body of work that included painting - the three famous prospects of ideal cities in Berlin, Baltimore and Urbino are attributed to him -, sculpture - primarily his imposing reliefs -, and architecture - here he was definitely the outstanding figure between Alberti and Bramante. His achievements as an engineer are equally impressive, and his elaborate designs for machines strongly influenced those of Leonardo da Vinci. He was a true Renaissance uomo universale, though, despite of his voluminous and influential theoretical work, less in the sense of a humanist homme de lettres than as an allround artist.Par. Francesco s sacred and secular structures are classicist and austere in nature, yet his for-tress structures look as if, moving beyond all functional concerns, he is exploiting the newness of the task, the lack of any tried and tested technical solutions and the removal of all typological boundaries to give his architectonic fantasies free rein, resulting in an apotheosis of the new, the unfamiliar and the alien. This book is an attempt to understand the strangely grandiose semiotic character of these structures. In doing so, it poses the question of what strategies can be used when seeking a shape for buildings for which there is no precedent. 119 pp. Englisch, Deutsch. Bookseller Inventory # 9783936681420

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