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The Cold Six Thousand: A Novel (Signed + Photo)

Ellroy, James

5,705 ratings by Goodreads
ISBN 10: 0712648178 / ISBN 13: 9780712648172
Published by London, UK: Century Publishing Co Ltd, 2001
Condition: As New Hardcover
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About this Item

First UK edition (and TRUE first edition, as it precedes the US publication), FIRST PRINTING, hardback, unread in AS NEW (Fine/Fine) condition (no marks/flaws, not book-club ed., not ex-lib, not price-clipped, etc; dj comes in a protective mylar cover); SIGNED by JAMES ELLROY with this usual scrawl on the title page (simply signed, not inscribed to anyone). Also included is a GLOSSY PHOTO of the author at the signing event. This book is the second in a trilogy, following the brilliant American Tabloid, and preceding Blood's A Rover. Bookseller Inventory # 5243

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Bibliographic Details

Title: The Cold Six Thousand: A Novel (Signed + ...

Publisher: London, UK: Century Publishing Co Ltd

Publication Date: 2001

Binding: Hardcover

Book Condition:As New

Dust Jacket Condition: As New

Signed: Signed by Author(s)

Edition: 1st Edition

About this title

Synopsis:

Dallas, November '63 - the heart of the American Dream detonated. ayne Tedrow Jr., a young Vegas cop, arrives with a loathsome job to do. He's got six thousand in cash and no idea he is about to plunge into the cover-up conspiracy already brewing around the assassination of JFK, no idea that this will mark the beginning of a hellish five-year ride through the private underbelly of public policy. llroy's furiously paced narrative tracks Tedrow's journey- Dallas to Vegas, with the Mob and Howard Hughes, south with the Klan and J. Edgar Hoover, shipping out to Vietnam and returning home, the bearer of white powder, plotting new deaths as 1968 approaches. . .

Review:

With its hypnotic, staccato rhythms, and words jostling, bumping, marching forward with edgy intensity (like lemmings heading toward a cliff of their own devising), The Cold Six Thousand feels as if it's being narrated by a hopped-up Dr. Seuss who's hungrier for violence than for green eggs and ham. In spinning the threads of post-JFK-assassination cultural chaos, James Ellroy's whirlwind riff on the 1960s takes nothing for granted, except that absolute power corrupts absolutely.

Hurtling from Las Vegas to Vietnam to Cuba to Memphis and back again (and all points in between), from Dealey Plaza to opium fields to smoke-filled back rooms where the mob holds sway, the novel traces the strands of complicity, greed, and fear that connect three men to a legion of supporting characters: Ward Littell, a former Feeb whose current allegiance to the mob and to Howard Hughes can't mask his admiration for the Kennedy brothers and Martin Luther King; Pete Bondurant, a hit man and fervent anti-Communist who splits his time between Vegas casinos and CIA-sponsored heroin labs in Saigon; and Wayne Tedrow Jr., a young Vegas cop who's sent to Dallas in late November 1963 to snuff a black pimp, and who is fighting a losing battle against his predilection for violence: "Junior was a hider. Junior was a watcher. Junior lit flames. Junior torched. Junior lived in his head."

And behind these three, J. Edgar Hoover is the master puppeteer, pulling strings with visionary zeal and resolute pragmatism, the still point around whom the novel roils and tumbles. At once evil and comic, Hoover predicts that LBJ "will deplete his prestige on the home front and recoup it in Vietnam. History will judge him as a tall man with big ears who needed wretched people to love him," and feels that Cuba "appeals to hotheads and the morally impaired. It's the cuisine and the sex. Plantains and women who have intercourse with donkeys."

The Seussian comparison isn't that far-fetched: Ellroy's novel, like the children's books (and like the very decade it limns), is flexible, spontaneous, and unabashedly off-kilter. Weighing in at a hefty 700 pages, The Cold Six Thousand is a trifle bloated by the excesses of its narrative form. But what glorious excess it is, as Ellroy continues to illuminate the twin impulses toward idealism and corruption that frame American popular and political culture. He deftly puts unforgettable faces and voices to the murkiest of conspiracy theories, and simultaneously mocks our eager assumption that such knowledge will make a difference. --Kelly Flynn

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