Title: To the Break of Dawn: A Freestyle on the ...
Publisher: NYU Press
Book Condition: New
The artistic evolution of hip hop from the South Bronx to Eminem Num Pages: 200 pages, black & white illustrations. BIC Classification: AVGR; JFC. Category: (G) General (US: Trade). Dimension: 162 x 238 x 26. Weight in Grams: 478. . 2007. First Edition. Hardcover. . . . . Books ship from the US and Ireland. Bookseller Inventory # V9780814716700
2007 Arts Club of Washington?s National Award for Arts Writing - Finalist
SEE ALSO: Pimps Up, Ho?s Down: Hip Hop?s Hold on Young Black Women by T. Denean Sharpley-Whiting.
With roots that stretch from West Africa through the black pulpit, hip-hop emerged in the streets of the South Bronx in the 1970s and has spread to the farthest corners of the earth. To the Break of Dawn uniquely examines this freestyle verbal artistry on its own terms. A kid from Queens who spent his youth at the epicenter of this new art form, music critic William Jelani Cobb takes readers inside the beats, the lyrics, and the flow of hip-hop, separating mere corporate rappers from the creative MCs that forged the art in the crucible of the street jam.
The four pillars of hip hop?break dancing, graffiti art, deejaying, and rapping?find their origins in traditions as diverse as the Afro-Brazilian martial art Capoeira and Caribbean immigrants? turnstile artistry. Tracing hip-hop?s relationship to ancestral forms of expression, Cobb explores the cultural and literary elements that are at its core. From KRS-One and Notorious B.I.G. to Tupac Shakur and Lauryn Hill, he profiles MCs who were pivotal to the rise of the genre, verbal artists whose lineage runs back to the black preacher and the bluesman.
Unlike books that focus on hip-hop as a social movement or a commercial phenomenon, To the Break of Dawn tracks the music's aesthetic, stylistic, and thematic evolution from its inception to today's distinctly regional sub-divisions and styles. Written with an insider's ear, the book illuminates hip-hop's innovations in a freestyle form that speaks to both aficionados and newcomers to the art.
About the Author:
William Jelani Cobb is Assistant Professor of History at Spelman College and editor of The Essential Harold Cruse: A Reader. He is a contributing writer at Essence magazine, and his music criticism and essays have also appeared in the Washington Post, Emerge, and the Progressive. His website can be found at www.jelanicobb.com. He resides in Atlanta, Georgia.
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