Bosch and Bruegel: From Enemy Painting to Everyday Life (Bollingen Series (General))

Joseph Leo Koerner

Published by Princeton University Press 2016-10-21, 2016
ISBN 10: 0691172285 / ISBN 13: 9780691172286
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Synopsis: In this visually stunning and much anticipated book, acclaimed art historian Joseph Koerner casts the paintings of Hieronymus Bosch and Pieter Bruegel in a completely new light, revealing how the painting of everyday life was born from what seems its polar opposite: the depiction of an enemy hell-bent on destroying us. Supreme virtuoso of the bizarre, diabolic, and outlandish, Bosch embodies the phantasmagorical force of painting, while Bruegel, through his true-to-life landscapes and frank depictions of peasants, is the artistic avatar of the familiar and ordinary. But despite their differences, the works of these two artists are closely intertwined. Bruegel began his career imitating Bosch's fantasies, and it was Bosch who launched almost the whole repertoire of later genre painting. But Bosch depicts everyday life in order to reveal it as an alluring trap set by a metaphysical enemy at war with God, whereas Bruegel shows this enemy to be nothing but a humanly fabricated mask. Attending closely to the visual cunning of these two towering masters, Koerner uncovers art history's unexplored underside: the image itself as an enemy. An absorbing study of the dark paradoxes of human creativity, Bosch and Bruegel is also a timely account of how hatred can be converted into tolerance through the agency of art. It takes readers through all the major paintings, drawings, and prints of these two unforgettable artists--including Bosch's notoriously elusive Garden of Earthly Delights, which forms the core of this historical tour de force. Elegantly written and abundantly illustrated, the book is based on Koerner's A. W. Mellon Lectures in the Fine Arts, a series given annually at the National Gallery of Art, Washington.

Review: "In this magisterial book, Joseph Koerner explores the role of Bosch and Bruegel in the great early modern shift of the ends of art from theological explanation to time-bound description, from being to picturing. Along the way, he offers a rich account of a newly global culture and a violently contested religious milieu where the status of images was itself an issue of life and death."--Susan Stewart, author of On Longing and The Poet's Freedom: A Notebook on Making

"Bosch and Bruegel is a magnificent book--massively erudite, profoundly human, and sometimes even shatteringly poetic. Koerner is a marvelously compelling writer."--Claudia Swan, Northwestern University

"A tremendous achievement. Koerner is one of the most gifted and intelligent art historians at work anywhere, as well as a remarkably fluent and resourceful stylist capable of presenting extremely subtle and persuasive readings in elegant and simple prose."--Michael Fried, author of The Moment of Caravaggio

"Insightful and encyclopedic. Koerner renders fresh and thought-provoking paintings that have been seen and discussed for centuries."--Keith Moxey, author of Visual Time: The Image in History

"Winner of the 2017 PROSE Award in Art History & Criticism, Association of American Publishers"

"One of the Evening Standard Best Art Books of 2017 (chosen by David Ekserdijian)"

"More gripping than a thriller. . . . A frightening, fascinating study. . . . It is rare, when reading a work of scholarly criticism, to be so gripped as to feel nervous about turning the page. Be warned: there are chapters here more frightening than a thriller because they allow us to see, with Bosch, infinitely multiplying sin. . . . This is a book to read and reread in any moment of doubt about what critical analysis can achieve. Koerner believes that every painting by Bruegel 'can sustain a lifetime of looking.' He has written a passionately attentive book that brings all life to bear on these pictures, and makes one feel that a lifetime of looking would be well spent."---Alexandra Harris, The Guardian

"[An] eloquent and rich exploration . . . based on Koerner's A.W. Mellon Lectures in the Fine Arts at the National Gallery of Art in Washington, the series of talks seamlessly form a book of linked essays that discuss individual paintings, with magnifying precisions, while simultaneously advancing a broader theory on art in a Europe emerging from its dark ages. . . . [Koerner's] observations bring Bosch's work into relevance today."---Nina Siegal, New York Times Book Review

"A new book by Joseph Koerner is always an event. Here, as usual, he seems to have read everything and to have thought about everything connected with his chosen subject. . . . But it is his ability to look and to find words for what he is looking at that sets him in the very front rank of art historians. . . . A magnificent achievement, with something to arrest and challenge on every one of its 400-plus pages."---Gabriel Josipovici, Times Literary Supplement

"Among the many publications about art I acquired or received, the most important were Bosch and Bruegel: From Enemy Painting to Everyday Life, a long-awaited, provocative study of these two key painters by Harvard art historian Joseph Leo Koerner."---Sebastian Smee, Boston Globe

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Title: Bosch and Bruegel: From Enemy Painting to ...
Publisher: Princeton University Press 2016-10-21
Publication Date: 2016
Book Condition: New

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