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Art in Time

Gauvin Alexander Bailey

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ISBN 10: 0714867373 / ISBN 13: 9780714867373
Published by Phaidon Verlag Gmbh Okt 2014, 2014
New Condition: Neu
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About this Item

Neuware - An up-to-date and comprehensive guide to 150 of the most significant styles and movements that have shaped art history through time. All art is of its time, and this book is the first survey that explicitly embeds styles, schools and movements within the politics and culture in which they arose, by means of timelines, textual references and the unique present-to-past arrangement of the book. An essential guide to art styles and movements and a history of world art from the present day to Greek antiquity, this book places the reader in the art historian's seat, offering an opportunity to work backwards from our own time and reconnect the dots, or even find new dots to connect. It revives art history, for both the specialist and the general reader coming to the subject with limited knowledge it shows graphically that art history is a living thing, not dead. 368 pp. Englisch. Bookseller Inventory # 9780714867373

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Bibliographic Details

Title: Art in Time

Publisher: Phaidon Verlag Gmbh Okt 2014

Publication Date: 2014

Binding: Buch

Book Condition: Neu

About this title

Synopsis:

Art in Time is the first book to embed art movements within the larger context of politics and history. Global in scope and featuring an innovative present‐to‐past arrangement, the book’s accessible text looks back on the most significant art styles and movements, from the present day to antiquity.

Pages of historical photographs, documents, newspaper headlines, and other ephemera evoke the times in which styles and movements arose. The book opens with The Information Age (Internet Art, Neo‐Expressionaism, Arte Povera) and closes with The Classical Age (Roman wall painting, Hellenistic Greek style), covering everything from Photorealism, Art Brut, Ukiyo‐e, and Byzantine style in between. An integrated timeline provides a linear thread throughout the book, while succinct, authoritative text illuminates key points.

About the Author:

Over twenty specialist contributors include:

Noit Banai, Lecturer of Visual and Critical Studies at Tufts University, School of the Museum of Fine Arts, Boston

Gauvin Alexander Bailey, Professor and Bader Chair in Southern Baroque Art at Queen’s University, Kingston, Ontario

Lee Beard, British Academy Post‐Doctoral Research Fellow at the Courtauld Institute of Art, London

Lucy Bowditch, Associate Professor of Art History at the College of Saint Rose in Albany, New York

Olga Goriunova, Assistant Professor in the Centre for Interdisciplinary Methodologies at the University of Warwick, Coventry

Katie Hill, Director of the Office of Contemporary Chinese Art and consultant lecturer at Sotheby's Institute of Art

Monica Kjellman‐Chapin, Associate Professor of Art History at Emporia State University, Kansas

Lloyd Laing, Senior Lecturer Emeritus in Archaeology, University of Nottingham

Caroline Levitt, Visiting Lecturer at the Courtauld Institute of Art, London

Matthew McKelway, Associate Professor of Japanese Art History at Columbia University, New York

Jeffrey Moser, Assistant Professor of East Asian Art History at McGill University, Montreal

Stella Paul, formerly Educator‐in‐Charge of Exhibitions and Communication, Metropolitan Museum of Art, New York

Alistair Rider, Lecturer in Art History at the University of St Andrews, Scotland

Robert Shane, Assistant Professor of Art History at the College of Saint Rose in Albany, New York

Sarah Symmons, Reader Emeritus in Art History and Theory, University of Essex

Elsje van Kessel, Lecturer in Art History at the University of St Andrews, Scotland

Alicia Volk, Associate Professor of Japanese Art History at the University of Maryland

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