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Abstractionist Aesthetics: Artistic Form and Social Critique in African American Culture (NYU Series in Social and Cultural Analysis)

Harper, Phillip Brian

ISBN 10: 1479818364 / ISBN 13: 9781479818365
Published by NYU Press
New Condition: New Soft cover
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About this Item

Series: NYU Series in Social & Cultural Analysis. Num Pages: 256 pages, 41 colour illustrations. BIC Classification: DS; HBTB; JFSL4. Category: (G) General (US: Trade). Dimension: 154 x 229 x 21. Weight in Grams: 574. . 2015. Paperback. . . . . Books ship from the US and Ireland. Bookseller Inventory # V9781479818365

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Bibliographic Details

Title: Abstractionist Aesthetics: Artistic Form and...

Publisher: NYU Press

Binding: Soft cover

Book Condition:New

About this title

Synopsis:

In a major reassessment of African American culture, Phillip Brian Harper intervenes in the ongoing debate about the ?proper? depiction of black people. He advocates for African American aesthetic abstractionism?a representational mode whereby an artwork, rather than striving for realist verisimilitude, vigorously asserts its essentially artificial character.  Maintaining that realist representation reaffirms the very social facts that it might have been understood to challenge, Harper contends that abstractionism shows up the actual constructedness of those facts, thereby subjecting them to critical scrutiny and making them amenable to transformation.   Arguing against the need for ?positive? representations, Abstractionist Aesthetics displaces realism as the primary mode of African American representational aesthetics, re-centers literature as a principal site of African American cultural politics, and elevates experimental prose within the domain of African American literature. Drawing on examples across a variety of artistic production, including the visual work of Fred Wilson and Kara Walker, the music of Billie Holiday and Cecil Taylor, and the prose and verse writings of Ntozake Shange, Alice Walker, and John Keene, this book poses urgent questions about how racial blackness is made to assume certain social meanings. In the process, African American aesthetics are upended, rendering abstractionism as the most powerful modality for Black representation. 

About the Author:

Phillip Brian Harper is Erich Maria Remarque Professor of Literature at New York University, where he teaches in the Departments of Social and Cultural Analysis and of English. He is the author of the books Private Affairs (NYU Press, 1999), Are We Not Men? and Framing the Margins.

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