Items related to Carlo Scarpa: Architecture and Design

Carlo Scarpa: Architecture and Design ISBN 13: 9788831789554

Carlo Scarpa: Architecture and Design - Softcover

 
9788831789554: Carlo Scarpa: Architecture and Design
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To mark the first centenary of the birth of Carlo Scarpa, the great master of twentieth-century architecture, all his extant works are being presented for the first time in a kind of 'general catalogue'. This big, illustrated volume, which is the result of careful scientific research aimed at identifying all the works and their correct date, visually describes the work of the maestro, thanks to a specific photographic campaign, but also includes short descriptive pieces by some of his more noted scholars.

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Review:
Carlo Scarpa combined a sensitivity to traditional materials and craftsmanship with an abstract sensibility. Scarpa s work in Venice, Verona, and surrounding towns uses an evocative layering of walls, spaces, geometric ornamentation, and finely crafted stone and metal to evoke an image of modernity where the human hand is aided rather than replaced by the machine All offer a brilliant vision of cultural transformation that is worth seeking out as a complement, or antidote, to the usual trek from ancient monument to ancient monument. "The Boston Phoenix"
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The 20th Century Italian master Carlo Scarpa (1906-1978) emerged from a Venetian tradition that merged art, craft, intellect, and, especially in his case, architecture Photos in this book make clear that Scarpa s works may need reviving, lest they too pass away. "Architecture"
""
For this chronological presentation of Scarpa s five-decade career, spanning 1932 to 1978, the photographers visited all 58 of the Italian master s completed structures (all but one in Italy), creating a gorgeous set of images in the process. Scarpa was often called upon to integrate his architecture into and around existing historic buildings, and the delicacy of these interventions still stand out. "Metropolis Magazine""

"Carlo Scarpa... combined a sensitivity to traditional materials and craftsmanship with an abstract sensibility. Scarpa's work in Venice, Verona, and surrounding towns uses an evocative layering of walls, spaces, geometric ornamentation, and finely crafted stone and metal to evoke an image of modernity where the human hand is aided rather than replaced by the machine... All offer a brilliant vision of cultural transformation that is worth seeking out as a complement, or antidote, to the usual trek from ancient monument to ancient monument." The Boston Phoenix

"The 20th Century Italian master Carlo Scarpa (1906-1978) emerged from a Venetian tradition that merged art, craft, intellect, and, especially in his case, architecture...Photos in this book make clear that Scarpa's works may need reviving, lest they too pass away." Architecture

"For this chronological presentation of Scarpa's five-decade career, spanning 1932 to 1978, the photographers visited all 58 of the Italian master's completed structures (all but one in Italy), creating a gorgeous set of images in the process. Scarpa was often called upon to integrate his architecture into and around existing historic buildings, and the delicacy of these interventions still stand out." Metropolis Magazine

-Carlo Scarpa... combined a sensitivity to traditional materials and craftsmanship with an abstract sensibility. Scarpa's work in Venice, Verona, and surrounding towns uses an evocative layering of walls, spaces, geometric ornamentation, and finely crafted stone and metal to evoke an image of modernity where the human hand is aided rather than replaced by the machine... All offer a brilliant vision of cultural transformation that is worth seeking out as a complement, or antidote, to the usual trek from ancient monument to ancient monument.- The Boston Phoenix

-The 20th Century Italian master Carlo Scarpa (1906-1978) emerged from a Venetian tradition that merged art, craft, intellect, and, especially in his case, architecture...Photos in this book make clear that Scarpa's works may need reviving, lest they too pass away.- Architecture

-For this chronological presentation of Scarpa's five-decade career, spanning 1932 to 1978, the photographers visited all 58 of the Italian master's completed structures (all but one in Italy), creating a gorgeous set of images in the process. Scarpa was often called upon to integrate his architecture into and around existing historic buildings, and the delicacy of these interventions still stand out.- Metropolis Magazine
About the Author:
Cianantonio Battistella is a lecturer in the history and technique of photography at Udine University. He has taken part in many contemporary photographic exhibitions both in Italy and abroad, where he is mainly noted for his experimentation with the photographic language. He has illustrated many books, particularly on landscape, including Cannaregio (1987), Citta murate del Veneto (1988), Documen-ti di architettura rurale delta Marca Trevigiana (1989), Obiettivi sulla via del sale (2000), Cesti da Museo (2002). Guido Beltramini, director of the Centre Internazionale di Studi di Architettura, curated the exhibitions Carlo Scarpa. Mostre e Musel (1944-1976) (Verona, Museo di Castelvecchio) and Carlo Scarpa. Case e paesaggi (1972-1978) (Vicenza, Palazzo Barbaran da Porto) in 2000 with Paola Marini and Kurt Forster. In 2004, with Italo Zannler, he curated the exhibition Carlo Scarpa nella fotografia (Vicenza, Palazzo Barbaran da Porto). Vaclav Sedy, from Prague, has for many years worked as an architecture photographer for Domus, Casabella, Abitare, the Fondazione Michelucci and La Triennale di Milano. He also produced the virtual exhibition on Christopher Dresser for the latter. His most important publications are Benedetto Alfieri ad Asti (1992), Casa di cristalio (1997), Amaldo Pomodoro (1998), Vincenzo Scamozzi 1548-1616 (2003), Fuori Serie (2003) and Come comete (2004). Italo Zannier is a leading international photography expert and holds the chair of the history of photography at Venice University. Zannier had a long association with Carlo Scarpa. He documented some of his buildings during the years he worked as a professional photographer and became his colleague at the Istituto Universitario di Architettura di Venezia.

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