Four years after his iconic mirror paintings catapulted him to international acclaim, Michelangelo Pistoletto took an abrupt left turn with his series, the Minus Objects. Comprised of 28 disparate objects-an oversize cardboard rose; an industrial lamp casting green light; a minimalist iron sculpture-the Minus Objects break with the notion of a signature style and are symbolic of infinite creative possibilities. As an ensemble, it minimizes the role of authorship, permitting each enigmatic object to speak for itself as autonomous and self-sufficient. Pistoletto is one of Italy's most important and influential artists, and this book celebrates the creation of the Minus Objects as a radical turning point in postwar sculpture and conceptual art. The installation is represented in double-page spreads and the entire volume is designed to appear as a discrete object itself. Along with Pistoletto's original artist statement and transcripts of conversations about his work, this volume brings together critical analyses from some of the leading voices of the contemporary art world. Together, the images and texts in this book serve to position the Minus Objects as a work of stunning originality and historical significance.
"synopsis" may belong to another edition of this title.
LISA VARGHESE is Senior Director at Luhring Augustine in New York.
Four years after his iconic mirror paintings catapulted him to international acclaim, Michelangelo Pistoletto took an abrupt left turn with his series, the Minus Objects. Comprised of 28 disparate objects-an oversize cardboard rose; an industrial lamp casting green light; a minimalist iron sculpture-the Minus Objects break with the notion of a signature style and are symbolic of infinite creative possibilities. As an ensemble, it minimizes the role of authorship, permitting each enigmatic object to speak for itself as autonomous and self-sufficient. Pistoletto is one of Italy's most important and influential artists, and this book celebrates the creation of the Minus Objects as a radical turning point in postwar sculpture and conceptual art. The installation is represented in double-page spreads and the entire volume is designed to appear as a discrete object itself. Along with Pistoletto's original artist statement and transcripts of conversations about his work, this volume brings together critical analyses from some of the leading voices of the contemporary art world. Together, the images and texts in this book serve to position the Minus Objects as a work of stunning originality and historical significance.
"About this title" may belong to another edition of this title.
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Condition: VG+. Blue boards with yellow illustration and text. Textblock blue. 184 pp. Features many color and bw illustrations. Four years after his iconic mirror paintings catapulted him to international acclaim, Michelangelo Pistoletto took an abrupt left turn with his series, the 'Minus Objects'. Comprised of 28 disparate objects-an oversize cardboard rose; an industrial lamp casting green light; a minimalist iron sculpture-the Minus Objects break with the notion of a signature style and are symbolic of infinite creative possibilities. As an ensemble, it minimizes the role of authorship, permitting each enigmatic object to speak for itself as autonomous and self-sufficient. Pistoletto is one of Italy's most important and influential artists, and this book celebrates the creation of the 'Minus Objects' as a radical turning point in postwar sculpture and conceptual art. The installation is represented in double-page spreads and the entire volume is designed to appear as a discrete object itself. Along with Pistoletto's original artist statement and transcripts of conversations about his work, this volume brings together critical analyses from some of the leading voices of the contemporary art world. Together, the images and texts in this book serve to position the 'Minus Objects' as a work of stunning originality and historical significance. Seller Inventory # 209506
Seller: Zubal-Books, Since 1961, Cleveland, OH, U.S.A.
Condition: New. 184 pp., Hardcover, brand new, still in shrink wrap. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country. Seller Inventory # ZB1228590
Seller: monobooks, Waterford, MI, U.S.A.
Hardcover. Condition: New. No Jacket. First edition 2017. Published by Luhring Augustine / DelMonico Books / Prestel. Hardcover without DJ as issued. Condition new, square tight and crisp book, corners not bumped, no names, no underlinings, no highlights, no bent page corners, not a reminder. . 4to, 184 pages, illustrated throughout. Seller Inventory # 020988
Seller: White Ink Books, Washington, DC, U.S.A.
Hardcover. Condition: New. 1st Edition. Prestel, 2017. *Mint.* Hardcover. First edition. Book condition: new. Beautiful new first edition. Signed and dated by Michelangleo Pistoletto at the National Gallery of Art. Very scarce signature. Ships to United States only. Signed by Author(s). Seller Inventory # wi177mp