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From 1919 to 1933, in Weimar, Dessau and then Berlin, the Bauhaus (literally, "house of construction") was much more than just a professional school of a new genre--it was a modern Utopia. Painters, teaching specialists, architects, urban planners, artisans, engineers, actors, musicians, photographers and designers worked together there on a new concept of everyday life. An experimental style became dominant--bare, functional and scrupulously clear--the style of the 20th century.
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Art critic and modern art historian Xavier Girard was a curator at the Matisse Museum from 1985 to 1997. He is Director of Culture for the City of Nice and the author of Matisse in Nice (Assouline).
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