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From their childhood, Jack Rathbone has enjoyed the adoration of his sister Gin. When both attend art school in London, it is a painful wrench for Gin to watch Jack fall under the spell of Vera Savage, an older, flamboyant artist. Jack and Vera run off to New York within weeks and, from a bruised and bereft distance, sister Gin follows the couple's progress to Port Mungo, a river town in the swamps of the Gulf of Honduras. There, Jack devotes himself to his art, while Vera succumbs to infidelity and a chronic restlessness, which even the birth of two daughters cannot subdue. In his spellbinding narrative, Patrick McGrath tracks these individuals across decades and continents: the latter-day Gaugin figure Jack, his buccaneering mate Vera and their two girls, Peg and Anna, cast adrift in their parents' chaos - as observed by Gin, their far from detached chronicler. It is ultimately a world of dark tropical impulses and Manhattan art market forces, where a mysterious death is swathed in tight complicit secrecy, and the imperatives of narcissism and art hold human beings in outlandish thrall.
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'Brilliant' John Banville 'His prose, sinuous, savoury and sly, is a delight.' Graham Swift 'Maybe the best Gothic novelist ever' Philip Hensher Fiction of a depth and power we hardly hope to encounter anymore.' Tobias WolffFrom the Author:
Where the story came from.
The story of Jack Rathbone and Vera Savage grew out of a longtime interest in the romantic figure of the brilliant but dissolute artist. I began with a painter, a man of excessive appetites who leaves a trail of destruction behind him wherever he goes. I soon realized he was little more than a walking cliche, however, so I turned him into a woman. Things at once became more interesting. Soon the question arose, what kind of a mother would such a woman make? This turned into the thematic core of the book. It took the form of a kind of intense dialogue between creativity, narcissism and responsibility.
I was interested at the same time in putting my characters in a tropical setting. I wanted to see the two painters against a Caribbean backdrop, both for the vividness and exoticism of it all, and also to allow them to self-destruct far from the constraints of the homeland and the city. For this purpose I invented Port Mungo, a seedy river town "wilting and steaming in the mangrove swamps of the Gulf of Honduras." Part of the novel concerns the eventful journey from London to Port Mungo. Part of it concerns what happens there. And part concerns the repercussions of those events, as they work themselves out much later in New York.
I took for my narrator a woman called Gin Rathbone, sister of Jack. This gave me the chance to create a further strand in the book, in that I was able to explore, even as the story rolled forward, the complicated geography of a close brother-sister relationship. In its way that relationship turned out every bit as steamy and mysterious as Port Mungo itself.
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Book Description Envoi rapide Très Bon Etat. poche. 2006. Broché. 366 pages. Très bon état. Seller Inventory # 254359
Book Description Softcover. Condition: Très bon. Ammareal reverse jusqu'à 15% du prix net de ce livre à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this book's net price to charity organizations. Seller Inventory # B-345-693
Book Description Condition: Used: Acceptable. Occasion - Etat Correct - Ancien livre de Bibliothèque, lv - Port Mungo (2006). Seller Inventory # 3141128
Book Description Paperback. Condition: OKAZ. - Nombre de page(s) : 1 vol. (366 p.) - Langue : fre - Genre : Littérature française Romans Nouvelles Correspondance Folio. Seller Inventory # O869567-666