A new form of investigative practice that uses architecture as an optical device to investigate armed conflicts and environmental destruction. In recent years, the group Forensic Architecture began using novel research methods to undertake a series of investigations into human rights abuses. Today, the group provides crucial evidence for international courts and works with a wide range of activist groups, NGOs, Amnesty International, and the UN. Forensic Architecture has not only shed new light on human rights violations and state crimes across the globe, but has also created a new form of investigative practice that bears its name. The group uses architecture as an optical device to investigate armed conflicts and environmental destruction, as well as to cross-reference a variety of evidence sources, such as new media, remote sensing, material analysis, witness testimony, and crowd-sourcing. In Forensic Architecture, Eyal Weizman, the group's founder, provides, for the first time, an in-depthintroduction to the history, practice, assumptions, potentials, and double binds of this practice. The book includes an extensive array of images, maps, and detailed documentation that records the intricate work the group has performed. Traversing multiple scales and durations, the case studies in this volume include the analysis of the shrapnel fragments in a room struck by drones in Pakistan, the reconstruction of a contested shooting in the West Bank, the architectural recreation of a secret Syrian detention center from the memory of its survivors, a blow-by-blow account of a day-long battle in Gaza, and an investigation of environmental violence and climate change in the Guatemalan highlands and elsewhere. Weizman's Forensic Architecture,stunning and shocking in its critical narrative, powerful images,and daring investigations, presents a new form of public truth, technologically, architecturally, and aesthetically produced. The practice calls for a transformative politics in which architecture as a field of knowledge and a mode of interpretation exposes and confronts ever-new forms of state violence and secrecy.
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This forensic process--what Weizman calls 'architecture in reverse'--shows how the analytical and presentational skills of architects can be deployed in graphic, damning detail, in circumstances that extend way beyond the comfort zone of the drawing board.
--GuardianThe perspective shift he offers is no less than the image of a planet overrun by human machinations. Weizman presents the idea of human history written only by and for nation states, not their people. When we conceive of justice for ourselves and the world, that lens is always prefigured for the state viewpoint. But perhaps through experts like Weizman and his colleagues at Forensic Architecture, total control of that lens can be wrested little by little, to accommodate those who need it most.
--New ScientistForensic Architecture highlights critical issues that must be discussed, as uncomfortable as they make people feel.... The book exposes readers to a candid, much-needed understanding of the relationship between settlements, architecture, politics, and violence. This awareness is even more important in developed countries whose advocacy is necessary for wrongdoings like those described within the book to be recognized.
--SpacingEyal Weizman is Professor of Spatial and Visual Cultures at Goldsmiths College, University of London and a Global Scholar at Princeton University. A founder of Forensic Architecture, he is also a founding member of the architectural collective DAAR in Beit Sahour/Palestine. His books include Mengele's Skull, The Least of All Possible Evils, and Hollow Land.
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