'A glowing light of modern Italian literature.' -- New York Times
'If Ferrante is a friend, Ginzburg is a mentor.' -- Lara Feigel, Guardian
'I did not know, I said, that life could go at a run, with drums beating. For you, it is different. Your life, after I came into it, went on at its usual pace, without any sound.'
In a hushed Italian town after the Second World War, Elsa lives with her parents in the house where she was born. Twenty-seven and unmarried, she is of constant concern to her mother, whose status anxiety manifests itself in acute hypochondria. But her mother does not know that Elsa has fallen in love with Tommasino, the elusive youngest son of the De Francisci family. The De Franciscis own the cloth factory that dominates the town and Elsa knows the details of their lives as intimately as her own.
In the course of their secret meetings, Elsa begins to imagine a future with Tommasino, free from the constraints of shared history and expectation. But all of this is threatened when their relationship is revealed.
An elegant, spare novel reminiscent of Chekhov, Voices in the Evening is an unforgettable story about first love and lost chances, from one of the greatest Italian writers of the twentieth century.
Like Chekhov, she knows how to stand back and let her characters expose their own lives, their frailties and strengths, their illusions and private griefs. The result is nearly translucent writing writing so clear, so direct, so seemingly simple that it gives the reader the magical sense of apprehending the world for the first time. -- New York Times
Ginzburg gives us a new template for the female voice and an idea of what it might sound like. -- Rachel Cusk
I m utterly entranced by Ginzburg's style her mysterious directness, her salutary ability to lay things bare that never feels contrived or cold, only necessary, honest, clear. -- Maggie Nelson
Sharp and lively. -- Lydia Davis
Translated by D.M. Low
"synopsis" may belong to another edition of this title.
Natalia Ginzburg (1916-1991) was born in Palermo, Sicily. She wrote dozens of books including the essay collection The Little Virtues, and the novels All Our Yesterdays, Voices in the Evening and the Strega Prize-winning Family Lexicon. She was involved in political activism throughout her life and served in the Italian parliament from 1983 to 1987.
Colm Tóibín is the author of nine novels including The Master, Brooklyn, The Testament of Mary and Nora Webster. His work has been shortlisted for the Booker three times, has won the Costa Novel Award and the Impac Award. His most recent novel is House of Names. He has also published two collections of stories and many works of non-fiction.
"About this title" may belong to another edition of this title.
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Paperback. Condition: new. Paperback. In a hushed, Italian town after the Second World War Elsa lives with her parents in the house where she was born. Twenty-seven and unmarried, she is of constant concern to her mother, whose status anxiety manifests itself in acute hypochondria. Elsa hopes to live a life different to the one she's always known and when she meets Tommasino, it seems possible. Tommasino belongs to the De Francisci family, who owns the cloth factory where Elsa's father works, and whose lives and stories Elsa has known all her life. In the course of their secret meetings, Elsa and Tommasino begin to imagine another future for themselves, free from the constraints of shared history and expectation. But all of this is threatened when their relationship is revealed.An elegant, spare novel reminiscent of Chekhov, Voices in the Evening captures Italy after the war, and a new generation struggling against its legacy. Ginzburg's doomed love story comes to us as though whispered between friends, and carried on an evening breeze. 'Ginzburg gives us a new template for the female voice and an idea of what it might sound like.' Rachel Cusk Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781911547310
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