The first published survey of the whole of John Piper's art throughout his long life; the book includes not just his painting and printmaking, but his stained glass and opera designs. It was begun in collaboration with the artist and his wife Myfanwy and has continued with the encouragement of the Piper family.Piper was a major artist of the twentieth century. He was a pioneer of modern abstract art in Britain in the 1930s, the painter of the ruins of the Blitz in Coventry, London and Bath, of the Ruskinian beauty and loneliness of the summits and panoramas of Snowdonia,the designer of nine of the first productions of the operas and a ballet by Benjamin Britten. Piper was also a great landscape painter of rural churches in Britain, a pioneer of lithography and screenprinting and of colour in ceramics. Finally, he was the designer of the stained glass the great cathedrals and churches of Coventry, Eton College and Plymouth and of smaller commemorative glass in country churches.Piper is described here as committed to sharing his art, taking on the technical challenge of introducing modern painting to traditional craft practice and to a generous acceptance of continuous change.Fully endorsed and supported by the John Piper Estate, with unprecedented access to the family archive and a foreword by Piper's grandson, Luke Piper.
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"Fraiser Jenkins sets out his facts clearly and constructively. Each opinion is backed up by evidence and linked to the next, a linkage that is usually intuitive and revealing. This densely researched book leaves us with a much greater sense of the artist's singularity and his limitations, the dogged certitude he showed in developing his art in isolation from the mainstream."--Times Literary Supplement
"Generously illustrated, with more than 300 images, most in color, this coffee-table-size volume will be valued for its comprehensive overview of Piper's art-making career and for its range of images, including not just Piper's celebrated prints and paintings but also his stage designs, stained glass, mosaics, and ceramics. The full range of Piper's distinctive imagery is on display here, notably the still lifes, landscapes, renderings of rural churches and historic buildings, and depictions of picturesque ruins that earned him a key place amid the modern romantic painters of the 1930s and 1940s. The book is biographical in approach, and of particular interest to historians will be the chapter that explores the abstract works Piper created during production of the modernist periodical Axis, edited by his soon-to-be wife, Myfanwy Evans. The book's 41-page, richly illustrated 'gazetteer' includes a selection of Piper's public commissions (1955-79), among them an ambitious program of stained glass for Coventry Cathedral. Highly recommended."--Choice
David Fraser Jenkins has selected numerous exhibitions of John Piper's work, including the retrospective for the artist's eightieth birthday at the Tate (now Tate Britain) in 1983. He was a curator at the National Museum of Wales, where he first met the artist. He has written extensively about Piper's photographs, his paintings of the 1930s and 1940s, his paintings of Snowdonia and his work for the stage.Hugh Fowler-Wright began collecting and researching John Piper's art in 1993. This has led to him assisting with loans and catalogue entries for many exhibitions from Grey College, Durham in 1999 to the Portland Gallery in 2013. He has written about John Piper's diverse and extensive creativity in Piper in Print (2010) and Creative Partnerships (2011).
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Seller: Midway Book Store (ABAA), St. Paul, MN, U.S.A.
Hardcover. First edition. 29.5 x 24.5 cm, Quarto. 472pp. Blue cloth in dust jacket. Toning to the edges of the boards. Some scratching top the jacket. Very Good in Very Good dust jacket. Seller Inventory # 64255
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Seller: MW Books, New York, NY, U.S.A.
First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; 472 pages : illustrations (chiefly color) ; 30 cm. Notes; Includes bibliographical references and indexes. Contents; Epsom (1903-1927) -- Betchworth (March 1927-June 1934) -- Myfanwy Evans and AXIS (June 1934-June 1937) -- The romantic style (July 1937-1941) -- Neo-romanticism (1941-45) -- Wales and Britten (1945-53) -- Colours for glass (1952-55) -- Landscapes in France and Italy (1955-63) -- The Marlborough years 1 (1963-66) -- The Marlborough years 2 (1967-82) -- Retrospective exhibitions, last landscapes and flower paintings (1983-92) -- Gazetteer: a selection of public commissions. Subjects; Piper, John 1903-1992 Criticism and interpretation. Painters Great Britain 20th century. Artists Great Britain 20th century. Art, Abstract Great Britain 20th century. Art and Design. Great Britain. 1 Kg. Seller Inventory # 401032
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Seller: Green Ink Booksellers, Hay-on-Wye, United Kingdom
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. - Minor shelfwear - Some slight creasing to dustwrapper at head of spine - Corners very slightly bumped - Ow/ a clean bright tight book in untorn dustwrapper - 472 pages. QUARTO. Seller Inventory # 637589
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Seller: MW Books Ltd., Galway, Ireland
First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; 472 pages : illustrations (chiefly color) ; 30 cm. Notes; Includes bibliographical references and indexes. Contents; Epsom (1903-1927) -- Betchworth (March 1927-June 1934) -- Myfanwy Evans and AXIS (June 1934-June 1937) -- The romantic style (July 1937-1941) -- Neo-romanticism (1941-45) -- Wales and Britten (1945-53) -- Colours for glass (1952-55) -- Landscapes in France and Italy (1955-63) -- The Marlborough years 1 (1963-66) -- The Marlborough years 2 (1967-82) -- Retrospective exhibitions, last landscapes and flower paintings (1983-92) -- Gazetteer: a selection of public commissions. Subjects; Piper, John 1903-1992 Criticism and interpretation. Painters Great Britain 20th century. Artists Great Britain 20th century. Art, Abstract Great Britain 20th century. Art and Design. Great Britain. 1 Kg. Seller Inventory # 401032
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Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. Seller Inventory # M1910787051Z3
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Seller: Holt Art Books, Birmingham, United Kingdom
Hardcover. Condition: Very Good. 1st Edition. Book and dust jacket are in very good condition. 472pp with colour illustrations. Seller Inventory # 016263
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Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. Seller Inventory # M1910787051Z4
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Seller: GF Books, Inc., Hawthorne, CA, U.S.A.
Condition: Very Good. Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 5.73. Seller Inventory # 1910787051-2-3
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Seller: Book Deals, Tucson, AZ, U.S.A.
Condition: Good. Good condition. This is the average used book, that has all pages or leaves present, but may include writing. Book may be ex-library with stamps and stickers. 5.73. Seller Inventory # 353-1910787051-gdd
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Seller: Parrot Books, Hemel Hempstead, HERT, United Kingdom
hardcover. Condition: Fine. Seller Inventory # mon0000067510
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