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Parallels with Joyce's Dublin are not appropriate here, though. The scope is far wider and stretches back into history. Beginning in Pre-Christian Ireland as the Kings of Tara reigned autocratically, we encounter the lovers Prince Conall and the beautiful Deidre. An army sized dramatis personae surround the lovers, representing every player in a turbulent era. We are shown many of the key events in Irish history, with parts for Saint Patrick, the Nordic savagery of the Vikings and the battles with the cunning Henry VIII. As this operatic volume ends with the approach of the Reformation, the orchestration of narrative commands total respect. --Barry Forshaw
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