Christianity and Romance in Medieval England (3) (Christianity and Culture: Issues in Teaching/Research)

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9781843842194: Christianity and Romance in Medieval England (3) (Christianity and Culture: Issues in Teaching/Research)
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The relationship between the Christianity of medieval culture and its most characteristic narrative, the romance, is complex and the modern reading of it is too often confused. There is no straightforward Christian context of Middle English romance - or of medieval romance in general, although this volume focuses on the English language romances of England. Medieval audiences had apparently very different expectations and demands of their entertainment: some looking for, and evidently finding, moral exempla and analogues of biblical narratives, others secular, even sensational, entertainment of a type condemned by moralising voices. For the modern reader the merging of these two types can present a problem too. The essays collected here provide the reader with up-to-date discussion of the state of knowledge and of critical approaches to Middle English romance; they offer a guide as to the additional understanding of the romances to be gained from reading them in their cultural Christian context, unfamiliar to many today. Contributors: HELEN PHILLIPS, STEPHEN KNIGHT, PHILLIPA HARDMAN, MARIANNE AILES, RALUCA L. RADULESCU, CORINNE SAUNDERS, K.S. WHETTER, ANDREA HOPKINS, ROSALIND FIELD, DEREK BREWER, D. THOMAS HANKS, MICHELLE SWEENEY

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Teachers in need of distilling essential information, issues and concepts for classroom consumption are its ideal but not exclusive audience. ENGLISH STUDIES

A truly outstanding collection of essays on romance and Christianity that offers many new and valuable insights into this relatively narrow field. PARERGON

One of the great strengths of this collection is that each essay offers substantial, detailed readings of the romances. ARTHURIANA

With its focus on the romance... this collection of essays accomplishes the difficult task of saying something new about Christianity and medieval literature. CHOICE

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Contributors: HELEN PHILLIPS, STEPHEN KNIGHT, PHILLIPA HARDMAN, MARIANNE AILES, RALUCA L. RADULESCU, CORINNE SAUNDERS, K.S. WHETTER, ANDREA HOPKINS, ROSALIND FIELD, DEREK BREWER, D. THOMAS HANKS, MICHELLE SWEENEY

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Book Description Boydell Brewer Ltd, United Kingdom, 2010. Hardback. Condition: New. Language: English . Brand New Book. The relationship between the Christianity of medieval culture and its most characteristic narrative, the romance, is complex and the modern reading of it is too often confused. Not only can it be difficult to negotiate the distant, sometimes alien concepts of religious cultures of past centuries in a modern, secular, multi-cultural society, but there is no straightforward Christian context of Middle English romance - or of medieval romance in general, although this volume focuses on the romances of England. Medieval audiences had apparently very different expectations and demands of their entertainment: some looking for, and evidently finding, moral exempla and analogues of biblical narratives, others secular, even sensational, entertainment of a type condemned by moralising voices. The essays collected here show how the romances of medieval England engage with its Christian culture. Topics include the handling of material from pre-Christian cultures, classical and Celtic, the effect of the Crusades, the meaning of chivalry, and the place of women in pious romances. Case studies, including Sir Gawain and the Green Knight and Malory s Morte Darthur, offer new readings and ideas for teaching romance to contemporary students. They do not present a single view of a complex situation, but demonstrate the importance of reading romances with an awareness of the knowledge and cultural capital represented by Christianity for its original writers and audiences. Contributors: HELEN PHILLIPS, STEPHEN KNIGHT, PHILLIPA HARDMAN, MARIANNE AILES, RALUCA L. RADULESCU, CORINNE SAUNDERS, K.S. WHETTER, ANDREA HOPKINS, ROSALIND FIELD, DEREK BREWER, D. THOMAS HANKS, MICHELLE SWEENEY. Seller Inventory # AAH9781843842194

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Book Description Boydell Brewer Ltd, United Kingdom, 2010. Hardback. Condition: New. Language: English . Brand New Book. The relationship between the Christianity of medieval culture and its most characteristic narrative, the romance, is complex and the modern reading of it is too often confused. Not only can it be difficult to negotiate the distant, sometimes alien concepts of religious cultures of past centuries in a modern, secular, multi-cultural society, but there is no straightforward Christian context of Middle English romance - or of medieval romance in general, although this volume focuses on the romances of England. Medieval audiences had apparently very different expectations and demands of their entertainment: some looking for, and evidently finding, moral exempla and analogues of biblical narratives, others secular, even sensational, entertainment of a type condemned by moralising voices. The essays collected here show how the romances of medieval England engage with its Christian culture. Topics include the handling of material from pre-Christian cultures, classical and Celtic, the effect of the Crusades, the meaning of chivalry, and the place of women in pious romances. Case studies, including Sir Gawain and the Green Knight and Malory s Morte Darthur, offer new readings and ideas for teaching romance to contemporary students. They do not present a single view of a complex situation, but demonstrate the importance of reading romances with an awareness of the knowledge and cultural capital represented by Christianity for its original writers and audiences. Contributors: HELEN PHILLIPS, STEPHEN KNIGHT, PHILLIPA HARDMAN, MARIANNE AILES, RALUCA L. RADULESCU, CORINNE SAUNDERS, K.S. WHETTER, ANDREA HOPKINS, ROSALIND FIELD, DEREK BREWER, D. THOMAS HANKS, MICHELLE SWEENEY. Seller Inventory # AAH9781843842194

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Book Description Boydell & Brewer Ltd, 2010. Condition: Brand new. The relationship between the Christianity of medieval culture and its most characteristic narrative, the romance, is complex and the modern reading of it is too often confused. Not only can it be difficult to negotiate the distant , sometimes alien concepts of religious cultures of past centuries in a modern, secular, multi-cultural society, but there is no straightforward Christian context of Middle English romance - or of medieval romance in general, alth ough this volume focuses on the romances of England. Medieval audiences had apparently very different expectations and demands of their entertainment: some looking for, and evidently finding, moral exempla and analogues of biblica l narratives, others secular, even sensational, entertainment of a type condemned by moralising voices. The essays collected here show how the romances of medieval England engage with its Christian culture. Topics include th e handling of material from pre-Christian cultures, classical and Celtic, the effect of the Crusades, the meaning of chivalry, and the place of women in pious romances. Case studies, including Sir Gawain and the Green Knight and Malory's Morte Darthur , offer new readings and ideas for teaching romance to contemporary students. They do not present a single view of a complex situation, but demonstrate the importance of reading romances with an awareness of the knowledge and cultural capital represented by Christianity for its original writers and audiences. Contributors: HELEN PHILLIPS, STEPHEN KNIGHT, PHILLIPA HARDMAN, MARIANNE AILES, RALUCA L. RADULESCU, COR INNE SAUNDERS, K.S. WHETTER, ANDREA HOPKINS, ROSALIND FIELD, DEREK BREWER, D. THOMAS HANKS, MICHELLE SWEENEY. Seller Inventory # 5153

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