Kafka's final novel was written during 1922, when the tuberculosis that was to kill him was already at an advanced stage. Fragmentary and unfinished, it perhaps never could have been finished; perhaps the tensions between K., the Castle and the village, K.'s struggle for acceptance or recognition by the mysterious Castle authorities or by the people of the village, never will and never can be resolved. Like much of Kafka's work, The Castle is enigmatic and polyvalent. Is it an allegory of the sprawling Austro-Hungarian Empire as it disintegrates into modern nation states, or a quasi-feudal system giving way to a new freedom for the subject? Is it the search by a central European Jew for acceptance and integration into a dominant culture? Is it a spiritual quest for grace or salvation, or an individual's struggle between his sense of independence and his need for approval? Is K. is an opportunist, a victim, or an outsider battling against an elusive authority? Is the Castle a benign source of authority or a whimsical system of control? Like K., the reader is presented with conflicting perspectives that rehearse the existential dilemmas and uncertainties of literary modernity.
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Franz Kafka (1883-1924) was born into a Jewish family in Prague. In 1906 he received a doctorate in jurisprudence, and for many years he worked a tedious job as a civil service lawyer investigating claims at the state Worker's Accident Insurance Institute. He never married, and published only a few slim volumes of stories during his lifetime. Meditation, a collection of sketches, appeared in 1912; The Stoker: A Fragment in 1913; The Metamorphosis in 1915; The Judgement in 1916; In the Penal Colony in 1919; and A Country Doctor in 1920. Only a few of his friends knew that Kafka was also at work on the great novels that were published after his death from tuberculosis: America, The Trial, and The Castle.
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