Review:
The contrast is shocking and funny. This Medea is too big for a place like this, her passions too intense, her intelligence too vicious, and in Bartlett's own production, there are an unexpected number of laughs. . . As writer, Bartlett doesn't just transfer Euripides to the modern world - he exposes him to the full weight of post-Freudian psychology. --Guardian
Rage and fear seep through Mike Bartlett's domesticated updating of Euripides, clashing brashly and inviting its protagonists to step outside. They simmer behind the closed doors of the red brick estate where Rachael Stirling's fine, visceral Medea has been left with their son, Tom, when Adam Levy's cocky, human Jason runs off with the landlord's young daughter, Kate. --The Stage
Bartlett ... has reimagined Euripides' great tragedy in a 21st century where a wedding guest films the death agony of a young bride on her iPhone ... the familiarity of both the setting and the circumstances ... make the horror so much harder to bear. Anna Burnside, Independent Bartlett does more than simply find modern equivalents for classical originals. This Medea is not a barbarian at sea in cultured Corinth, nor has she slain a dragon or sacrificed her family to be there. She is an outsider in other ways ... Bartlett keeps matters tantalisingly balanced ... compelling stuff. --Robert Dawson Scott, The Times
About the Author:
Rachel Cusk was born in Canada in 1967 and spent much of her childhood in Los Angeles before finishing her education at St Mary's Convent, Cambridge. She read English at New College, Oxford, and has travelled extensively in Spain and Central America. She is the author of six novels. The first, Saving Agnes (1993), won the Whitbread First Novel Award. A Life's Work: On Becoming a Mother (2001) is a personal exploration of motherhood. In The Lucky Ones (2003) she uses a series of five narratives, loosely linked by the experience of parenthood, to write of life's transformations, of what separates us from those we love and what binds us to those we no longer understand. In 2003, Rachel Cusk was nominated by Granta magazine as one of 20 'Best of Young British Novelists'. Her latest novel is Outline (2014).
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