Restless Classics presents the ninetieth anniversary edition of an undersung gem of the Harlem Renaissance: Nella Larsen's Passing, a captivating and prescient exploration of identity, sexuality, self-invention, class, and race set amidst the pealing boisterousness of the Jazz Age.
When childhood friends Irene Redfield and Clare Kendry cross paths at a whites-only restaurant, it’s been decades since they last met. Married to a bigoted white man who has no idea that she is African American, Clare has fully embraced her ability to “pass” as a white woman. Irene, also light-skinned and living in Harlem, is shocked by Clare’s rejection of her heritage, though she too passes when it suits her needs. This encounter sparks an intense relationship between the two women who, as acclaimed critic and novelist Darryl Pinckney writes in his insightful introduction, reflect Larsen’s own experience of being “between black and white, and culturally at home nowhere.”
In a culture intent on setting boundaries, Clare and Irene refuse to adhere to expectations of gender, race, or class, culminating in a tragic clash of identities, as their relationship swings between emotional hostility and intense attraction.
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Nella Larsen was born Nellie Walker in 1891 in Chicago. Her mother was a Danish immigrant and her father an immigrant from the Danish West Indies. Larsen attended school in all white environments in Chicago until she moved to Nashville to attend high school. Larsen later practiced nursing, and from 1922 to 1926, served as a librarian at the New York Public Library. After resigning from this position, Larsen began her literary career by writing her first novel, Quicksand (1928), which won her the Harmon Foundation’s bronze medal. After the publication of her second novel, Passing (1929), Larsen was awarded the first Guggenheim Fellowship given to an African American woman, establishing her as a premier novelist of the Harlem Renaissance. Nella Larsen died in New York in 1964.
Maggie Lily is a graduate of the University of the Arts where she studied creative writing. She currently works in Philadelphia as a talent agent for the Barnes Foundation, one of the leading art museums in the U.S., and as a freelance writer, illustrator and curator. Maggie has been a featured guest artist/performer at the NYC Poetry Festival and has shared her poetry and Active Imagination workshops with numerous galleries and venues around Philadelphia, including the Kitchen Table Gallery, Berks Warehouse, Icebox Project Space and The Common Room.
Darryl Pinckney, a longtime contributor to The New York Review of Books, is the author of a novel, High Cotton, and two works of nonfiction, Blackballed: The Black Vote and US Democracy and Out There: Mavericks of Black Literature. He has also collaborated with Robert Wilson on theater projects, most recently an adaption of Daniil Kharm’s The Old Woman. He lives in New York.
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Paperback. Condition: Very Good. No Jacket. Lily, Maggie (illustrator). Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 0.55. Seller Inventory # G163206202XI4N10
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Paperback. Condition: New. Lily, Maggie (illustrator). When childhood friends Clare Kendry and Irene Redfield come across each other at a white-only restaurant, Irene learns her estranged friend has severed all ties to their African American community and is now married to a bigoted white man unaware of her heritage. Swinging between allure and repulsion, their revived relationship becomes a stage upon which questions of identity, sexuality, belonging, and self-invention play out. Seller Inventory # LU-9781632062024
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Paperback. Condition: new. Lily, Maggie (illustrator). Paperback. Restless Classics presents the ninetieth anniversary edition of an undersung gem of the Harlem Renaissance: Nella Larsen's Passing, a captivating and prescient exploration of identity, sexuality, self-invention, class, and race set amidst the pealing boisterousness of the Jazz Age.When childhood friends Irene Redfield and Clare Kendry cross paths at a whites-only restaurant, it's been decades since they last met. Married to a bigoted white man who has no idea that she is African American, Clare has fully embraced her ability to "pass" as a white woman. Irene, also light-skinned and living in Harlem, is shocked by Clare's rejection of her heritage, though she too passes when it suits her needs. This encounter sparks an intense relationship between the two women who, as acclaimed critic and novelist Darryl Pinckney writes in his insightful introduction, reflect Larsen's own experience of being "between black and white, and culturally at home nowhere."In a culture intent on setting boundaries, Clare and Irene refuse to adhere to expectations of gender, race, or class, culminating in a tragic clash of identities, as their relationship swings between emotional hostility and intense attraction. A captivating and prescient exploration of identity, sexuality, belonging, self-invention, and race set amidst the pealing boisterousness of the Jazz Age. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781632062024
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