aA rarity in the world of movie literature: A first-rate, broad-gauged (and deliciously readable) cultural history.a
aRichard Schickel, "Los Angeles Times"
aA landmark new film book . . . sifts through the evidence with reportorial acumen and great care, conjuring up the social and cultural history of a lost world and drawing on sharp new interviews with many of its major players. . . . Can take its place alongside top-shelf film industry books.a
aJanet Maslin, "The New York Times"
"A rarity in the world of movie literature: A first-rate, broad-gauged (and deliciously readable) cultural history."
-Richard Schickel, "Los Angeles Times"
"A landmark new film book . . . sifts through the evidence with reportorial acumen and great care, conjuring up the social and cultural history of a lost world and drawing on sharp new interviews with many of its major players. . . . Can take its place alongside top-shelf film industry books."
-Janet Maslin, "The New York Times"
"I think Mark Harris may be the best film writer ever...."Pictures at a Revolution"is probably one of the best books I've ever read in my life.
-Quentin Tarantino
"A rarity in the world of movie literature: A first-rate, broad-gauged (and deliciously readable) cultural history."
-Richard Schickel, "Los Angeles Times"
"A landmark new film book . . . sifts through the evidence with reportorial acumen and great care, conjuring up the social and cultural history of a lost world and drawing on sharp new interviews with many of its major players. . . . Can take its place alongside top-shelf film industry books."
-Janet Maslin, "The New York Times""
""Pictures at a Revolution"is probably one of the best books I've ever read in my life.
-Quentin Tarantino
"A rarity in the world of movie literature: A first-rate, broad-gauged (and deliciously readable) cultural history."
-Richard Schickel, "Los Angeles Times"
"A landmark new film book . . . sifts through the evidence with reportorial acumen and great care, conjuring up the social and cultural history of a lost world and drawing on sharp new interviews with many of its major players. . . . Can take its place alongside top-shelf film industry books."
-Janet Maslin, "The New York Times""
"
Pictures at a Revolutionis probably one of the best books I've ever read in my life.
-Quentin Tarantino
"A rarity in the world of movie literature: A first-rate, broad-gauged (and deliciously readable) cultural history."
-Richard Schickel,
Los Angeles Times "A landmark new film book . . . sifts through the evidence with reportorial acumen and great care, conjuring up the social and cultural history of a lost world and drawing on sharp new interviews with many of its major players. . . . Can take its place alongside top-shelf film industry books."
-Janet Maslin,
The New York Times"
"
Pictures at a Revolution is probably one of the best books I've ever read in my life."
-Quentin Tarantino
"A rarity in the world of movie literature: A first-rate, broad-gauged (and deliciously readable) cultural history."
-Richard Schickel,
Los Angeles Times "A landmark new film book . . . sifts through the evidence with reportorial acumen and great care, conjuring up the social and cultural history of a lost world and drawing on sharp new interviews with many of its major players. . . . Can take its place alongside top-shelf film industry books."
-Janet Maslin,
The New York Times
Documents the cultural revolution behind 1967's five Best Picture-nominated films--"Guess Who's Coming to Dinner," "The Graduate," "Doctor Doolittle," "In the Heat of the Night," and "Bonnie and Clyde"--and how they reflected beliefs about race, violence, and identity.