Great Expectations (Barnes & Noble Classics Series) - Softcover

Dickens, Charles

Softcover

ISBN 10: 1593080069 ISBN 13: 9781593080068

Publisher: Fine Communications,US, 2003

Synopsis

Great Expectations, by Charles Dickens, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. 

Great Expectations, described by G. K. Chesterton as a “study in human weakness and the slow human surrender,” may be called Charles Dickens’s finest moment in a remarkably illustrious literary career.

In an overgrown churchyard, a grizzled convict springs upon an orphan named Pip. The convict terrifies the young boy and threatens to kill him unless Pip helps further his escape. Later, Pip finds himself in the ruined garden where he meets the bitter and crazy Miss Havisham and her foster child Estella, with whom he immediately falls in love. After a secret benefactor gives him a fortune, Pip moves to London, where he cultivates great expectations for a life which would allow him to discard his impoverished beginnings and socialize with the idle upper class. As Pip struggles to become a gentleman and is tormented endlessly by the beautiful Estella, he slowly learns the truth about himself and his illusions.

Written in the last decade of his life, Great Expectations reveals Dickens’s dark attitudes toward Victorian society, its inherent class structure, and its materialism. Yet this novel persists as one of Dickens’s most popular. Richly comic and immensely readable, Great Expectations overspills with vividly drawn characters, moral maelstroms, and the sorrow and pity of love.
Radhika Jones is a doctoral candidate in English and comparative literature at Columbia University and the managing editor of Grand Street magazine.

About this title

Review:

""Great Expectations may be called a novel without a hero . . . In [it] Dickens was really trying to be a quiet, a detached, and even a cynical observer of human life . . . And the final and startling triumph of Dickens is this: that even to this moderate and modern story he gives an incomparable energy which is not moderate and which is not modern. He is trying to be reasonable; but in spite of himself he is inspired." -G. K. Chesterton
""Great Expectations [is] generally regarded as Dickens's artistic masterpiece, and a novel profoundly serious in its psychological and sociological import . . . Dickens tell[s] a universal story of human passions, mutual exploitation, selfishness, self-delusion, and selflessness . . . [It] is the subtlest and most profound, as well as the most triumphantly achieved, of all his great novels." -From the Introduction by Michael Slater

""Great Expectations" may be called a novel without a hero . . . In [it] Dickens was really trying to be a quiet, a detached, and even a cynical observer of human life . . . And the final and startling triumph of Dickens is this: that even to this moderate and modern story he gives an incomparable energy which is not moderate and which is not modern. He is trying to be reasonable; but in spite of himself he is inspired." -G. K. Chesterton
""Great Expectations" [is] generally regarded as Dickens's artistic masterpiece, and a novel profoundly serious in its psychological and sociological import . . . Dickens tell[s] a universal story of human passions, mutual exploitation, selfishness, self-delusion, and selflessness . . . [It] is the subtlest and most profound, as well as the most triumphantly achieved, of all his great novels." -From the Introduction by Michael Slater

"Great Expectations" may be called a novel without a hero . . . In [it] Dickens was really trying to be a quiet, a detached, and even a cynical observer of human life . . . And the final and startling triumph of Dickens is this: that even to this moderate and modern story he gives an incomparable energy which is not moderate and which is not modern. He is trying to be reasonable; but in spite of himself he is inspired. G. K. Chesterton
"Great Expectations" [is] generally regarded as Dickens s artistic masterpiece, and a novel profoundly serious in its psychological and sociological import . . . Dickens tell[s] a universal story of human passions, mutual exploitation, selfishness, self-delusion, and selflessness . . . [It] is the subtlest and most profound, as well as the most triumphantly achieved, of all his great novels. From the Introduction by Michael Slater"

Great Expectations may be called a novel without a hero . . . In [it] Dickens was really trying to be a quiet, a detached, and even a cynical observer of human life . . . And the final and startling triumph of Dickens is this: that even to this moderate and modern story he gives an incomparable energy which is not moderate and which is not modern. He is trying to be reasonable; but in spite of himself he is inspired. G. K. Chesterton
Great Expectations [is] generally regarded as Dickens s artistic masterpiece, and a novel profoundly serious in its psychological and sociological import . . . Dickens tell[s] a universal story of human passions, mutual exploitation, selfishness, self-delusion, and selflessness . . . [It] is the subtlest and most profound, as well as the most triumphantly achieved, of all his great novels. From the Introduction by Michael Slater"

"Great Expectations may be called a novel without a hero . . . In [it] Dickens was really trying to be a quiet, a detached, and even a cynical observer of human life . . . And the final and startling triumph of Dickens is this: that even to this moderate and modern story he gives an incomparable energy which is not moderate and which is not modern. He is trying to be reasonable; but in spite of himself he is inspired." -G. K. Chesterton

"Great Expectations [is] generally regarded as Dickens's artistic masterpiece, and a novel profoundly serious in its psychological and sociological import . . . Dickens tell[s] a universal story of human passions, mutual exploitation, selfishness, self-delusion, and selflessness . . . [It] is the subtlest and most profound, as well as the most triumphantly achieved, of all his great novels." -From the Introduction by Michael Slater

From the Publisher:

Great Expectations opens unforgettably in a twilit and overgrown churchyard on the eerie Kent marshes.

There the orphan Pip is disturbed to meet an escaped convict, Magwitch, but gives him food, in an encounter that is to haunt both their lives. How Pip receives riches from a mysterious benefactor, snobbishly abandons his friends for London society and 'great expectations', and grows through misfortune and suffering to maturity is the theme of one of Dicken's best-loved novels.

In Great Expectations Dickens blends gripping drama with penetrating satire to give a compelling story rich in comedy and pathos: he has also created two of his finest, most haunting characters in Pip and Miss Havisham.

About this edition

• Publisher: Fine Communications,US
• Publication date: 2003
• ISBN 10: 1593080069
• ISBN 13: 9781593080068
• Binding: Mass Market Paperback
• Number of pages: 592