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Leonardo da Vinci (1452-1519) stands as a supreme icon in the history of Western civilization. With much of his work lost or unfinished, the key to his legacy is without doubt to be found in the enormous body of his extant drawings and accompanying manuscript notes. Famous for their beauty and technical virtuosity, Leonardo's drawings were avidly sought by collectors even during his lifetime. This handsome book offers a unified and fascinating portrait of Leonardo as a draftsman, integrating his diverse roles as an artist, scientist, inventor, theorist, and teacher. A chronological framework is also provided in order to shed light on his extraordinary life and career. The essays and entries-written by the world's leading Leonardo scholars-survey the wide variety of drawing types that Leonardo used and also examine a small group of works by artists critical to his artistic development in Florence and to his multifaceted activity in Milan.
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Artist, theorist, scientist and inventor--these words cannot capture the genius that is Leonardo DaVinci. However, curator and editor Carmen C Bambach brings us a little closer to unlocking his mystery in Leonardo DaVinci: Mater Draftsman. The book comprises a collection of 11 essays by world-renowned Leonardo connoisseurs, along with 515 exquisite illustrations, to create a perfect balance between scholarship and aesthetics. Serving as the catalogue for the exhibition of the same name at New York's Metropolitan Museum of Art, the book focuses on Leonardo's drawings: his studies for some of his unfinished, lost, or unrealised paintings and projects, stunning anatomical and engineering studies, eight pages from the Codex Leicester (Leonardo's draft for a treatise on the dynamics of water), and his studies of grotesque physiognomies, which taken together, reveal the master's notion that beauty and ugliness are reciprocally enhanced by their juxtaposition. The result also sheds light on his extraordinary contribution as a draftsman "to the design process of narrative composition".Leonardo has left us a mere handful of mostly unfinished--albeit magnificent--paintings. Yet, as Bambach explains, the quantity of his extant drawings (about 4,000 or more) is about four times that of the most prolific 16th-century draftsman. To be sure, it is through these drawings, along with the eloquent commentary, that Leonardo's infinite and dynamic creative power can best be glimpsed. From the whimsical to the sublime, from the scientific to the mechanical, these drawings reveal Leonardo's dependence on observation and nature, as well as his tireless use of drawing as a means to explore and express his ever-probing mind. The catalogue takes us on a chronological journey, revealing the vast influence of Leonardo's teacher Andrea Verrocchio, and subsequently shows us Leonardo's influence on his students and beyond. The beauty, power and scope of this book are evidence that there is no end to pondering his remarkable and enigmatic genius. --Silvana Tropea, Amazon.com About the Author:
Carmen C. Bambach is Curator in the Department of Drawings and Prints at The Metropolitan Museum of Art.
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Book Description Metropolitan Museum of Art. Condition: New. Paperback. Worldwide shipping. FREE fast shipping inside USA (express 2-3 day delivery also available). Tracking service included. Ships from United States of America. Seller Inventory # 1588390349
Book Description Metropolitan Museum of Art, 2003. Condition: New. book. Seller Inventory # M1588390349
Book Description Metropolitan Museum of Art, 2003. Paperback. Condition: New. Never used!. Seller Inventory # P111588390349
Book Description Metropolitan Museum of Art. PAPERBACK. Condition: New. 1588390349 New Condition. Seller Inventory # NEW7.1637412