Let Him Go - Hardcover

Watson, Larry

Hardcover

ISBN 10: 1571311025 ISBN 13: 9781571311023

Publisher: Milkweed Editions, 2013

Synopsis

Now a Major Motion Picture from Focus Features, Starring Kevin Costner and Diane Lane

The celebrated author of Montana 1948 returns to the American West in this riveting tale of familial love and its unexpected consequences.

Dalton, North Dakota. It's September 1951: years since George and Margaret Blackledge lost their son when he was thrown from a horse; months since his widow left with their only grandson and married another man. Margaret is resolved to find and retrieve her beloved grandson, while George, a retired sheriff, is none too eager to stir up trouble.

Unable to sway his wife from her mission, George takes to the road with Margaret by his side, traveling through the Badlands to Montana. But when Margaret tries to bring little Jimmy home, the Blackledges find themselves entangled with the Weboy clan, who are determined not to give up the boy without a fight.

Pitch-perfect, gutsy, unwavering, and "both restrained and exquisite" (Chicago Tribune), Larry Watson is at his storytelling finest in this unforgettable return to the American West.

About this title

About the Author

Larry Watson is the author of Montana 1948, American Boy, Justice, White Crosses, and several other novels. He is the recipient of the Milkweed National Fiction Prize, the Friends of American Writers award, two fellowships from the National Endowment for the Arts, and many other prizes and awards. He teaches writing and literature at Marquette University in Milwaukee, where he lives with this wife, Susan.

From the Back Cover

FICTION | LITERATURE $24

DALTON, NORTH DAKOTA. SEPTEMBER, 1951. It has been years since George and Margaret Blackledge
lost their son James when he was thrown from a horse; months since his widow left with their only grandson and married another man. Margaret is steadfast, resolved to find and retrieve her beloved grandson Jimmy—the last of the family line, and a living embodiment of her son's memory—while George, a retired sheriff , is none too eager to stir up trouble. Unable to sway his wife from her mission, George takes to the road with Margaret by his side, traveling through the Badlands to Gladstone, Montana. But when Margaret tries to bring little Jimmy home to North Dakota, the Blackledges find themselves entangled with the Weboy clan, who are determined not to give up the boy without a fight.
From the author who brought us Montana 1948, Let Him Go is pitch-perfect—gutsy and
unwavering. Larry Watson is at his storytelling fi nest in this unforgettable return to the American West.

LARRY WATSON is the author of Montana 1948 and American Boy,among other novels. He is the recipient of the Milkweed National Fiction Prize, the Friends of American Writers award, two fellowships from the National Endowment for the Arts, and many other prizes and awards. He teaches writing and literature at Marquette University, and lives with his wife, Susan, in Milwaukee.

COVER DESIGN BY CHRISTIAN FUENFHAUSEN
COVER PHOTOS ©OCEAN/CORBIS
AUTHOR PHOTO BY SUSAN WATSON

Milkweed Editions
800-520-6455

LARRY WATSON'S UNFORGETTABLE RETURN TO THE AMERICAN WEST

“In Let Him Go, Larry Watson evokes the deepest kind of suspense: that based upon the fact that humans are unpredictable and perhaps ultimately unknowable—even to their most intimate associates. This fi erce, tense book is beautifully written, with spare and economical prose out of which blooms a vivid and uncompromising portrait of the modern West. A brilliant achievement.' —Alice LaPlante, best-selling author of Turn of Mind

“Let Him Go is as commanding as its title: you will be immediately gripped by the narrow-eyed, bighearted pursuit of a child in danger. This is a literary thriller of the highest order—on par with Daniel Woodrell's Winter's Bone—an unrelenting quest through an unforgiving landscape and deadly family web.' —Benjamin Percy, author of Red Moon and The Wilding


PRAISE FOR LARRY WATSON

“Filled with rugged prose as biting as a northern plains wind. . . . Watson writes of people universal in their flaws and virtues, a community that cannot be defined or limited to one region or genre.' —Washington Post Book World

“Utterly mesmerizing. . . . There's something eminently universal in Watson's ponderings on the human condition, and it's refracted through a nearly perfect eye for character, place, and the rhythms of language.' —The Nation

“As thin, clear, and crisp as a North Dakota wind. . . . A writer whose work is worthy of prizes.'—Los Angeles Times Book Review

“Watson's tales are unforgettable tales of experience, set in a place as unchanging as any in America; a rare place where we still look for roots and a vanished frontier, and where we still uncover horrors that bring down reminders of what it is to be human no matter where we are.' —Oregonian

Excerpt. © Reprinted by permission. All rights reserved.

LET HIM GO

A Novel

By Larry Watson

Milkweek Editions

Copyright © 2013 Larry Watson
All rights reserved.

ISBN: 978-1-57131-102-3

CHAPTER 1

September 1951

The siren on top of the Dalton, North Dakota,fire station howls, as it does five days a week at this hour.Its wail frightens into flight the starlings that roost on thestation roof every day yet never learn how fixed and foreseeableare human lives. The siren tells the town's workingcitizens and students what they already know. It's twelveo'clock, time for you to fly too. Put down your hammer,your pencil; close your books, cover your typewriter. Gohome. Your wives and mothers are opening cans of soupand slicing bread and last night's roast beef for sandwiches.Come back in an hour, ready to put your shoulder to it,to add the figures, parse the sentences, calm the patients,please the customers.

Most drive to their homes, but a man with the widthof the town to travel, from Ott's Livestock Sales out onHighway 41 to Teton Avenue in the town's northeast corner,walks. The sun is warm on George Blackledge's back, andhe carries his blanket-lined denim coat over his shoulder.But on his way to work that morning in the predawn darkhe followed the plumes of his own breath and passed signsof the season's first hard freeze. Blankets and rugs coveringthe late tomatoes and squash. Windshields needing tobe scraped. Thin spirals of smoke rising from chimneys.Now only in a house or building's western shade or in theshadow of a shed or tree does any white remain. Grassblades and weed stalks that earlier were frost-bent andflattened rise again. Ice skins that grew over gutter poolsand alley puddles have melted away. When George entershis house, he notices the lingering smell of hot dust andfuel oil, the stale breath of the furnace that came on duringthe night for the first time in the season.

But on the kitchen table are not the bowl of tomatosoup and the summer sausage sandwich that George hasrightly come to expect. Instead on the oilcloth are opencardboard boxes filled with the food that recently has beenin their cupboards, bread box, and refrigerator. The house'swindows are closed and the curtains drawn, banishing sunlightand, so it seems, sufficient air to breathe.

Into the kitchen comes Margaret Blackledge, aboutwhom people invariably say, Still a handsome woman.Her steel-gray hair is plaited and pinned up. Her chambrayshirt is tucked into snug-fitting, faded Levi's. She'swearing boots that have been patched, resoled, and re-heeledso many times they'd rebel at any foot but hers.Those heels make her taller than most women. Drapedover one kitchen chair is her wool mackinaw, and on thespindle of another chair her hat hangs by the leather loopthat she used to tighten under her chin when she wasready to mount up and ride.

George tilts back his own hat. So this is why you wantedthe car today.

You said you didn't mind the exercise.

I don't. But Jesus, Margaret. You really mean to do this?

I do. Margaret Blackledge's eyes have not lost theirpower to startle—large, liquid, deep blue, and set in a facewhose planes and angles could be sculpted from marble.

With me or without me?

With you or without you. It's your choice. Margaretthrusts her fingers into the back pockets of her jeans andleans against the cupboard. She's waiting, but she doesn'thave to say it. She won't wait long.

She nods in the direction of their bedroom. I packed abag for you, she says. Depending on what you decide.

Nothing fills the silence between them. The Philco onthe kitchen counter, which usually squawks livestock pricesat this hour, sits mute. The coffeepot whose glass top usuallyrattles with a percolating fresh brew is emptied, washed, andstored in one of the boxes.

On his way to the bedroom George passes through theliving room and he steps over the blankets Margaret haswrapped and tied into tubes to serve as bedrolls.

In the bedroom doorway he pauses, his gaze lingeringon both what is there and what is not.

The white chenille bedspread rises over the mound ofone pillow but then slopes down to flatness on the otherside. The alarm clock ticks on the bedside table. If he stayshe'll need reminders of hours and obligations, while she'llbe traveling to where time obeys human need and not theother way around. On the top of the bureau the perfumebottle sits, as full as the day she took it out of its gift box.Her brush is gone. So is the framed photograph that oftenmade him pause. His son or his grandson? Did they reallylook so alike as two-year-olds? Or did they confuse himbecause they occupied the same space in his heart? DidMargaret even hesitate before she packed the photo? Didshe ask herself, Who needs this more, the one who goes orthe one who stays?

His suitcase yawns open on the bed, and he walks overto paw through its contents. Clean socks. A few shirts. Twopair of dungarees. Underwear. That old plaid wool railroader'svest. A bandanna. The bottom layers are cold-weatherwear—a wool scarf and knit cap, gloves. His sheepskin-linedcoat. Long underwear. He leaves the suitcase openand turns back toward the kitchen, a distance that suddenlyseems more exhausting than the miles he's alreadywalked today.

In the kitchen he looks over the contents of the boxes.Canned goods, flour, beans—dry and canned—oatmeal,evaporated milk, sugar, coffee, potatoes, apples, carrots.Two cans of Spam and a box of Velveeta. Cups, bowls,plates, forks, knives, and spoons, and that all these are inpairs tells him that she's made all the provisions for him togo. And not much left for him if he decides to stay—she'spacked the cast-iron frying pan and the coffeepot, andGeorge Blackledge loves his coffee. A washbasin. Kitchenmatches. A can of lard.

What do you mean to cook on? George asks.

Margaret shrugs. An open campfire, if need be. I've gota few camping things set out back. Including that old wiregrill you used to set up on rocks over a fire.

With this speech her voice quavers but not with emotion.For years Margaret Blackledge has had a tremor thatcauses her head to nod and her words to wobble. Harmless,a doctor has called it, but it's unsettling in a woman whoseems in every other regard as steady as steel.

George pushes the kitchen window curtain aside.Yes, she's backed their car, an old humpbacked HudsonCommodore, out of the garage, and a few more suppliesfor her journey lie in the grass.

You pulled out that old tent, George says. You find thepoles and stakes too?

I believe all the pieces are there.

I could set it up, he says. Let the sun burn some of themildew smell out of the canvas.

I'd just as soon get going.

George walks back over to the chair where her coat andhat wait. He lifts the collar of her mackinaw and rubs thewool between his fingers. I see you've got the long underwearpacked too. You planning on being gone right throughthe winter?

I'm not planning on any length of time. I plan to go,that's all. And stay gone as long as it takes.

What if Lorna says no? George asks. Any motherwould.

Margaret says nothing.

You have money?

I went to the bank this morning.

Leave any in there?

A little. Not much.

There wasn't much to begin with.

Margaret's suitcase is waiting by the back door. Whenshe glances in its direction, George feels his eyes smart andhis throat tighten.

Think this through, Margaret. What you're aimingto do—

I'll do. You ought to know that by now.

What finally made up your mind, if you don't object tomy asking?

Not only can I tell you what but when and right downto the minute. July 27. I know it like it's marked on thecalendar. I was coming out of LaVeer's Butcher Shop, and Ispied Jimmy over across the street right outside the drugstore.With Donnie and Lorna. In the middle of the day.And neither of them on the job, in spite of their promisesand good intentions. Anyway. Jimmy was licking awayat an ice cream cone like it was a race whether he or the sunwould finish it first. $en he must have licked a little toohard because that scoop of ice cream toppled off the cone.He gave out a little yelp. Donnie saw right away what happened,and so quick the ice cream didn't melt—and this ona day when the sidewalk was hot enough to fry an egg—hereached down and grabbed up that glob of chocolate icecream. And did he put it back on the cone? He did not.He pushed it right into Jimmy's face. Wait. It gets worse.$en he laughed. Donnie laughed. By this time Jimmy'swailing like his little heart is breaking. And what do yousuppose Lorna did? Pick him up and wipe his face and histears like any mother would? She did not. She kept righton walking. And she was wearing a smile, George. A smile.To do a child that way? A child that bears my son's name?It was all I could do not to cross the street and snatch thatlittle boy and run like hell. But I had my pork chops damnnear cooking in my arms, and I suppose I was hearing yourcautions so I continued on my way. But I knew, George; Iknew. That boy did not belong with those people. So evenwith all you said—it's wrong, it's useless, it might even beagainst the law—my mind was made up. It wasn't morethan a week later when I got my resolve screwed downtight, and I went to that little basement apartment they'dbeen renting. But they were gone. Bound for Montana, Ilearned. And owing three months' rent. So because I heldmy tongue on that July day they got a couple months' headstart. But I'm heading out now, George, and you have tochoose. Go or stay. But decide. Now.

I have to piss.

In the bathroom the matching towels and washclothare no longer hanging on the rack. Only a threadbare towelis suspended from the bar over the tub—his to use in herabsence. This morning's sliver of soap is no longer stuck tothe sink's porcelain. In the medicine cabinet only George'sshaving supplies still rest on the shelf, but his empty toiletkit waits open-mouthed on the tub for his razor, shavingcream, toothbrush, and aspirin.

Her things might be packed up but the room's very airremains hers. The smell of her shampoo, her cold cream.The steam that rose from her bathwater. And then fromher as she stepped dripping from the tub. Could he everstop breathing these, no matter how long she'd been gone?

He stands over the toilet. If there is a moment, an instant,when George Blackledge isn't sure what he'll do, by thetime he's opened his trousers and pulled out his cock, thatmoment has passed. He sighs, the deep breath and exhalationof a man about to follow someone onto a narrow ledge.Such a man is often cautioned not to look down. He mightwell be advised not to look forward or backward either.

Back in the kitchen he asks, Did you call Janie? Doesshe know about this plan of yours?

I mailed her a letter this morning.

You don't even give your daughter a chance to talk youout of this?

She has no say in this. None. But I told her you'd let herknow if you decide to stay home.

Did you gas up the car?

I thought I'd do that on the way out of town.

Why don't I do it now? I need to swing by Ott's andgive Barlow the word.

I don't suppose he'll be too happy.

You can be damn sure of that. I leave now, that's probablyover for good.

I'm sorry.

But not sorry enough to cast this goddamn idea of yoursaside.

Margaret reaches under the sink and brings out a canof Ajax. When she shakes its powder into the sink, a chalkyammoniac odor fills the room. If you're coming with me,George, that'll have to be the end of it. No dragging yourheels. No second-guessing. No what ifs. If you're with me,you're with me.

She turns back to the sink and begins to scour its porcelain.Soon she's scrubbing so hard even her ass is inmotion. Nothing but two hard mounds of muscle and fatbunching under denim faded almost to white. No, therewas never any doubt what George would do.

Should I shut off the water? he asks.

Might as well. We don't want to come home to bustedpipes.

(Continues...)

Excerpted from LET HIM GO by Larry Watson. Copyright © 2013 Larry Watson. Excerpted by permission of Milkweek Editions.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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Edition details

• Publisher: Milkweed Editions
• Publication date: 2013
• Language: English
• ISBN 10: 1571311025
• ISBN 13: 9781571311023
• Binding: Hardcover
• Number of pages: 256