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Widely acclaimed as the consummate filmmaker's filmmaker, few post-war figures in world cinema have been as influential as Michelangelo Antonioni on directors and screenwriters coming of age in the 1960s and 1970s. His 1995 Academy Award for Lifetime Achievement marks the long-overdue, official recognition of a fifty-year career of rare talent and innovation.
Here, for the first time in English, Antonioni's writings and interviews on cinema are available in a collection which is an homage to its author and a major contribution to the appreciation of his work. The Architecture of Vision is an indispensable tool for understanding the work of a cinematic giant whose investigation of the "crisis" of individuals and groundbreaking use of "visual minimalism" remains unique in contemporary culture.
Here, for the first time in English, Antonioni's writings and interviews on cinema are available in a collection which is an homage to its author and a major contribution to the appreciation of his work. The Architecture of Vision is an indispensable tool for understanding the work of a cinematic giant whose investigation of the "crisis" of individuals and groundbreaking use of "visual minimalism" remains unique in contemporary culture.
"synopsis" may belong to another edition of this title.
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"This valuable resource offers entree to material difficult to gain access to under other circumstances."--"Library Journal""" "" ""
0;[Antonioni7;s] erudition is astonishing . . . few of his peers can match his verbal articulateness.1;2;"Film Quarterly""" ""
0;This valuable resource offers entree to material difficult to gain access to under other circumstances.1;2;"Library Journal""" "" ""
0;Antonioni is a sometimes charming, if somewhat reluctant, even contrary subject; he is also endlessly quotable.1;2;Robin Lippincott," New York"" Times""" "" -- Robin Lippincott "New York Times"
0;Somewhat comparable in scope to Francois Truffaut''s classic "Hitchcock" (1983) and, more redently, Peter Bogdanovich''s "This Is Orson Welles" (1992), "The Architecture of Vision" provides a filmmaker7;s absorbing reflections and insights on his career. . . . Antonioni7;s comments . . . deepen and humanize a sometimes cerebral book.1;2;"Publishers Weekly"""
"Somewhat comparable in scope to Francois Truffaut''s classic "Hitchcock" (1983) and, more redently, Peter Bogdanovich''s "This Is Orson Welles" (1992), "The Architecture of Vision" provides a filmmaker's absorbing reflections and insights on his career. . . . Antonioni's comments . . . deepen and humanize a sometimes cerebral book."--"Publishers Weekly"""
"[Antonioni's] erudition is astonishing . . . few of his peers can match his verbal articulateness."-Film Quarterly
"This valuable resource offers entre to material difficult to gain access to under other circumstances."-Library Journal
"Somewhat comparable in scope to Franois Truffaut''s classic Hitchcock (1983) and, more redently, Peter Bogdanovich''s This Is Orson Welles (1992), The Architecture of Vision provides a filmmaker's absorbing reflections and insights on his career. . . . Antonioni's comments . . . deepen and humanize a sometimes cerebral book."-Publishers Weekly
?Antonioni is a sometimes charming, if somewhat reluctant, even contrary subject; he is also endlessly quotable. Robin Lippincott, New York Times -- Robin Lippincott "New York Times"
0;[Antonioni7;s] erudition is astonishing . . . few of his peers can match his verbal articulateness.1;2;"Film Quarterly""" ""
0;This valuable resource offers entree to material difficult to gain access to under other circumstances.1;2;"Library Journal""" "" ""
0;Antonioni is a sometimes charming, if somewhat reluctant, even contrary subject; he is also endlessly quotable.1;2;Robin Lippincott," New York"" Times""" "" -- Robin Lippincott "New York Times"
0;Somewhat comparable in scope to Francois Truffaut''s classic "Hitchcock" (1983) and, more redently, Peter Bogdanovich''s "This Is Orson Welles" (1992), "The Architecture of Vision" provides a filmmaker7;s absorbing reflections and insights on his career. . . . Antonioni7;s comments . . . deepen and humanize a sometimes cerebral book.1;2;"Publishers Weekly"""
"Somewhat comparable in scope to Francois Truffaut''s classic "Hitchcock" (1983) and, more redently, Peter Bogdanovich''s "This Is Orson Welles" (1992), "The Architecture of Vision" provides a filmmaker's absorbing reflections and insights on his career. . . . Antonioni's comments . . . deepen and humanize a sometimes cerebral book."--"Publishers Weekly"""
"[Antonioni's] erudition is astonishing . . . few of his peers can match his verbal articulateness."-Film Quarterly
"This valuable resource offers entre to material difficult to gain access to under other circumstances."-Library Journal
"Somewhat comparable in scope to Franois Truffaut''s classic Hitchcock (1983) and, more redently, Peter Bogdanovich''s This Is Orson Welles (1992), The Architecture of Vision provides a filmmaker's absorbing reflections and insights on his career. . . . Antonioni's comments . . . deepen and humanize a sometimes cerebral book."-Publishers Weekly
?Antonioni is a sometimes charming, if somewhat reluctant, even contrary subject; he is also endlessly quotable. Robin Lippincott, New York Times -- Robin Lippincott "New York Times"
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- PublisherMarsillo Publishers
- Publication date1996
- ISBN 10 1568860161
- ISBN 13 9781568860169
- BindingPaperback
- Number of pages429
- EditorTinazzi G., Carlo C. Di
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The Architecture of Vision: Writings and Interviews on Cinema
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Marsilio Pub
(1996)
ISBN 10: 1568860161
ISBN 13: 9781568860169
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