Items related to Owning the Masters: A History of Sound Recording Copyright...
Owning the Masters: A History of Sound Recording Copyright (Alternate Takes: Critical Responses to Popular Music) - Softcover
Synopsis
Copyright is a tool used by record labels to extract value from recording artists, but it is also the mechanism that allows artists to profit from their music. In Owning the Masters, Richard Osborne deftly threads a historical narrative between these two positions. This book is indispensable reading for anyone trying to understand the role of copyright in the world today. --David Arditi, Associate Professor of Sociology and Anthropology, The University of Texas at Arlington, USA, and author of Getting Signed: Record Contracts, Musicians and Power in Society.
"synopsis" may belong to another edition of this title.
About the Author
Richard Osborne is Associate Professor in Music and Creative Industries at Middlesex University, UK. Prior to working in academia he was employed in music retail, held various posts at collecting societies and co-managed a pub. He is the author of Vinyl: A History of the Analogue Record (2012), and co-editor of Mute Records (2019) and Music by Numbers (2021).
"About this title" may belong to another edition of this title.
Search results for Owning the Masters: A History of Sound Recording Copyright...
Stock Image
OWNING THE MASTERS
Seller: Speedyhen, London, United Kingdom
Seller rating 5 out of 5 stars
Condition: NEW. Seller Inventory # NW9781501345906
Quantity: 2 available
Stock Image
Owning the Masters : A History of Sound Recording Copyright
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Seller rating 5 out of 5 stars
Condition: New. Seller Inventory # 44709232-n
Quantity: 2 available
Stock Image
Owning the Masters
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
Seller rating 5 out of 5 stars
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # GB-9781501345906
Quantity: 2 available
Stock Image
Owning the Masters: A History of Sound Recording Copyright (Alternate Takes: Critical Responses to Popular Music)
Published by
Bloomsbury Academic 2022-12-15, 2022
ISBN 10: 1501345907
ISBN 13: 9781501345906
New
Paperback
Seller: Chiron Media, Wallingford, United Kingdom
Seller rating 4 out of 5 stars
Paperback. Condition: New. Seller Inventory # 6666-GRD-9781501345906
Quantity: 2 available
Stock Image
Owning the Masters: A History of Sound Recording Copyright (Alternate Takes: Critical Responses to Popular Music)
Seller: Ria Christie Collections, Uxbridge, United Kingdom
Seller rating 5 out of 5 stars
Condition: New. In. Seller Inventory # ria9781501345906_new
Quantity: 2 available
Stock Image
Owning the Masters : A History of Sound Recording Copyright
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Seller rating 5 out of 5 stars
Condition: As New. Unread book in perfect condition. Seller Inventory # 44709232
Quantity: 2 available
Seller Image
Owning the Masters (Paperback)
Published by
Bloomsbury Publishing Plc, New York, 2022
ISBN 10: 1501345907
ISBN 13: 9781501345906
New
Paperback
Seller: CitiRetail, Stevenage, United Kingdom
Seller rating 5 out of 5 stars
Paperback. Condition: new. Paperback. Owning the Masters provides the first in-depth history of sound recording copyright. It is this form of intellectual property that underpins the workings of the recording industry. Rather than being focused on the manufacture of goods, this industry is centred on the creation, exploitation and protection of rights. The development and control of these rights has not been straightforward. This book explores the lobbying activities of record companies: the principal creators, owners and defenders of sound recording copyright. It addresses the counter-activity of recording artists, in particular those who have fought against the legislative and contractual practices of record companies to claim these master rights for themselves. In addition, this book looks at the activities of the listening public, large numbers of whom have been labelled pirates for trespassing on these rights. The public has played its own part in shaping copyright legislation. This is an essential subject for an understanding of the economic, artistic and political value of recorded sound. "The story of how record companies gained ownership of sound recording rights and examines the consequences of this ownership for musical creation and reception"-- Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9781501345906
Quantity: 1 available
Stock Image
Owning the Masters
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
Seller rating 5 out of 5 stars
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # GB-9781501345906
Quantity: 2 available
Stock Image
Owning the Masters: A History of Sound Recording Copyright
Published by
Bloomsbury Publishing Plc, 2022
ISBN 10: 1501345907
ISBN 13: 9781501345906
New
Paperback / softback
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Seller rating 5 out of 5 stars
Paperback / softback. Condition: New. New copy - Usually dispatched within 3 working days. 400. Seller Inventory # B9781501345906
Quantity: 2 available
Seller Image
Owning the Masters
Published by
Bloomsbury Publishing Plc, US, 2022
ISBN 10: 1501345907
ISBN 13: 9781501345906
New
Paperback
Seller: Rarewaves.com UK, London, United Kingdom
Seller rating 5 out of 5 stars
Paperback. Condition: New. Owning the Masters provides the first in-depth history of sound recording copyright. It is this form of intellectual property that underpins the workings of the recording industry. Rather than being focused on the manufacture of goods, this industry is centred on the creation, exploitation and protection of rights. The development and control of these rights has not been straightforward. This book explores the lobbying activities of record companies: the principal creators, owners and defenders of sound recording copyright. It addresses the counter-activity of recording artists, in particular those who have fought against the legislative and contractual practices of record companies to claim these master rights for themselves. In addition, this book looks at the activities of the listening public, large numbers of whom have been labelled 'pirates' for trespassing on these rights. The public has played its own part in shaping copyright legislation. This is an essential subject for an understanding of the economic, artistic and political value of recorded sound. Seller Inventory # LU-9781501345906
Quantity: 5 available