Items related to FORM-CONTENT RELATIONSHIP IN BEETHOVEN’S STRING...
Synopsis
In Charles Rosen's landmark analysis of Beethoven's "Hammerklavier" Sonata, Opus 106, Rosen revealed Beethoven as the progenitor of a type of musical structure that may be described as “form–content relationship”. In the case of the Opus 106 it is the pervasive use of chains of melodic descending-thirds that organizes the motivic and melodic content as well as the larger structural elements of the work, resulting in an unprecedented organicism. This phenomenon of form–content relationship can be found in the Piano Sonata Opus 110 and reaches its furthest development in the String Quartet in C-sharp Minor, Opus 131. Whereas the Hammerklavier's structure is derived from a short motive, that of the Opus 131 may be said to be based on an idea, the Urphänomen (primal phenomenon), although at one important point in the work this idea is manifested in terms of a specific musical motif. This study is a detailed explication of the structure of Beethoven's Opus 131 and also explores the possible genesis of the work in terms of Goethe's morphological theories and Schelling's transcendental idealism.
"synopsis" may belong to another edition of this title.
Search results for FORM-CONTENT RELATIONSHIP IN BEETHOVEN’S STRING...
Seller Image
FORM-CONTENT RELATIONSHIP IN BEETHOVENS STRING QUARTET IN C-SHARP MINOR, OPUS 131
Published by
CreateSpace Independent Publishi, 2012
ISBN 10: 1479234931
ISBN 13: 9781479234936
Used
Softcover
Seller: WeBuyBooks, Rossendale, LANCS, United Kingdom
Seller rating 5 out of 5 stars
Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Previous owners name inside the front page/cover. Seller Inventory # rev2431614953
Quantity: 1 available
Stock Image
FORM-CONTENT RELATIONSHIP IN BEETHOVEN'S STRING QUARTET IN C-SHARP MINOR, OPUS 131
Published by
CreateSpace Independent Publishing Platform, 2012
ISBN 10: 1479234931
ISBN 13: 9781479234936
New
Softcover
Seller: Best Price, Torrance, CA, U.S.A.
Seller rating 5 out of 5 stars
Condition: New. SUPER FAST SHIPPING. Seller Inventory # 9781479234936
Quantity: 2 available
Stock Image
Form-Content Relationship in Beethoven's String Quartet in C-Sharp Minor, Opus 131
Published by
Createspace Independent Publishing Platform, 2012
ISBN 10: 1479234931
ISBN 13: 9781479234936
New
Paperback / softback
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Seller rating 5 out of 5 stars
Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 175. Seller Inventory # C9781479234936
Quantity: Over 20 available
Stock Image
Form-Content Relationship in Beethoven's String Quartet in C-Sharp Minor, Opus 131 (Paperback)
Published by
Createspace Independent Publishing Platform, 2012
ISBN 10: 1479234931
ISBN 13: 9781479234936
New
Paperback
Seller: CitiRetail, Stevenage, United Kingdom
Seller rating 5 out of 5 stars
Paperback. Condition: new. Paperback. In Charles Rosen's landmark analysis of Beethoven's "Hammerklavier" Sonata, Opus 106, Rosen revealed Beethoven as the progenitor of a type of musical structure that may be described as "form-content relationship". In the case of the Opus 106 it is the pervasive use of chains of melodic descending-thirds that organizes the motivic and melodic content as well as the larger structural elements of the work, resulting in an unprecedented organicism. This phenomenon of form-content relationship can be found in the Piano Sonata Opus 110 and reaches its furthest development in the String Quartet in C-sharp Minor, Opus 131. Whereas the Hammerklavier's structure is derived from a short motive, that of the Opus 131 may be said to be based on an idea, the Urphaenomen (primal phenomenon), although at one important point in the work this idea is manifested in terms of a specific musical motif. This study is a detailed explication of the structure of Beethoven's Opus 131 and also explores the possible genesis of the work in terms of Goethe's morphological theories and Schelling's transcendental idealism. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9781479234936
Quantity: 1 available
Seller Image
FORM-CONTENT RELATIONSHIP IN B
Seller: moluna, Greven, Germany
Seller rating 4 out of 5 stars
Condition: New. Seller Inventory # 903107740
Quantity: Over 20 available