Nineteenth Century Collections Online: European Literature, 1790-1840: The Corvey Collection includes the full-text of more than 9,500 English, French and German titles. The collection is sourced from the remarkable library of Victor Amadeus, whose Castle Corvey collection was one of the most spectacular discoveries of the late 1970s. The Corvey Collection comprises one of the most important collections of Romantic era writing in existence anywhere -- including fiction, short prose, dramatic works, poetry, and more -- with a focus on especially difficult-to-find works by lesser-known, historically neglected writers.
The Corvey library was built during the last half of the 19th century by Victor and his wife Elise, both bibliophiles with varied interests. The collection thus contains everything from novels and short stories to belles lettres and more populist works, and includes many exceedingly rare works not available in any other collection from the period. These invaluable, sometimes previously unknown works are of particular interest to scholars and researchers.
European Literature, 1790-1840: The Corvey Collection includes:
* Novels and Gothic Novels
* Short Stories
* Belles-Lettres
* Short Prose Forms
* Dramatic Works
* Poetry
* Anthologies
* And more
Selected with the guidance of an international team of expert advisors, these primary sources are invaluable for a wide range of academic disciplines and areas of study, providing never before possible research opportunities for one of the most studied historical periods.
Additional Metadata
Primary Id: B0988703
PSM Id: NCCOF0063-C00000-B0988703
DVI Collection Id: NCCOC0062
Bibliographic Id: NCCO021349
Reel: 8444
MCODE: 4UVC
Original Publisher: Printed for Archibald Constable and Co, and John Ballantyne, and Hurst, Robinson, and Co.
Original Publication Year: 1821
Original Publication Place: Edinburgh
Original Imprint Manufacturer: Printed by James Ballantyne and Co.
Subjects
English fiction -- 19th century
"synopsis" may belong to another edition of this title.
The Edinburgh Edition respects Scott the artist by 'restoring' versions of the novels that are not quite what his first readers saw. Indeed, it returns to manuscripts that the printers never handled, as Scott's fiction before 1827 was transcribed before it reached the printshop. Each volume of the Edinburgh edition presents an uncluttered text of one work, followed by an Essay on the Text by the editor of the work, a list of the emendations that have been made to the first edition, explanatory notes and a glossary! The editorial essays are histories of the respective texts. Some of them are almost 100 pages long; when they are put together they constitute a fascinating and lucid account of Scott's methods of composition and his financial manoeuvres. This edition is for anyone who takes Scott seriously. The Edinburgh Edition respects Scott the artist by 'restoring' versions of the novels that are not quite what his first readers saw. Indeed, it returns to manuscripts that the printers never handled, as Scott's fiction before 1827 was transcribed before it reached the printshop. Each volume of the Edinburgh edition presents an uncluttered text of one work, followed by an Essay on the Text by the editor of the work, a list of the emendations that have been made to the first edition, explanatory notes and a glossary! The editorial essays are histories of the respective texts. Some of them are almost 100 pages long; when they are put together they constitute a fascinating and lucid account of Scott's methods of composition and his financial manoeuvres. This edition is for anyone who takes Scott seriously.
EDITED WITH AN INTRODUCTION BY J. H. ALEXANDER
-- Based on the acclaimed Edinburgh Edition of the Waverley Novels
-- The first authoritative edition drawn from Scott's original texts
-- With a special introduction for the Penguin Classic edition
'No historian's Queen Elizabeth was ever so perfectly a woman as the fictitious Elizabeth of Kenilworth, ' wrote Thomas Hardy. Scott's magnificent novel re-creates the drama, and the strange mixture of assurance and profound unease of the Age of Elizabeth through the story of Amy Robsart. A woman of great beauty and integrity, Amy is married to the Earl of Leicester, one of the Queen's favourites, who must keep Amy confined to Cumnor Place and the marriage a secret, or incur royal displeasure.
Rich in character, melodrama and romance, Kenilworth (1821) is rivalled only by the great Elizabethan dramas. Scott amply justified V. S. Pritchett's accolade: 'the single Shakespearean talent of the English novel'.
"About this title" may belong to another edition of this title.
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