Information may be beautiful, but our decisions about the data we choose to represent and how we represent it are never neutral. Peter A. Hall and Patricio Davila's insightful history traces how data visualization accompanied modern technologies of war, colonialism and the management of social issues of poverty, health and crime. Their discussion is based around seventy examples of visualization, from Florence Nightingale's diagrams of causes of mortality in the Crimean War to contemporary projects that show the true cost of coal and the fate of our rubbish, taking a participatory approach to visualizing cities. This analysis places visualization in its theoretical and cultural contexts, providing a critical framework for understanding the history of information design with new directions for contemporary practice.
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Peter A. Hall is Course Leader, BA (Hons) Graphic Communication Design at Central Saint Martins, University of the Arts London, UK. His publications include Else/Where: Mapping - New Cartographies of Networks and Territories, edited with Janet Abrams (2005), Tibor Kalman: Perverse Optimist (2002) and Sagmeister: Made You Look (2009). Patricio Dávila is a designer, artist, researcher and educator. He is Associate Professor in the Department of Cinema and Media Arts in the School of the Arts, Media, Performance and Design, at York University, Canada.
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Paperback. Condition: New. Information may be beautiful, but our decisions about the data we choose to represent and how we represent it are never neutral. This insightful history traces how data visualization accompanied modern technologies of war, colonialism and the management of social issues of poverty, health and crime. The discussion is based around examples of visualization, from the ancient Andean information technology of the quipu to contemporary projects that show the fate of our rubbish and take a participatory approach to visualizing cities. This analysis places visualization in its theoretical and cultural contexts, and provides a critical framework for understanding the history of information design with new directions for contemporary practice. Seller Inventory # LU-9781350077249
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Paperback. Condition: New. Information may be beautiful, but our decisions about the data we choose to represent and how we represent it are never neutral. This insightful history traces how data visualization accompanied modern technologies of war, colonialism and the management of social issues of poverty, health and crime. The discussion is based around examples of visualization, from the ancient Andean information technology of the quipu to contemporary projects that show the fate of our rubbish and take a participatory approach to visualizing cities. This analysis places visualization in its theoretical and cultural contexts, and provides a critical framework for understanding the history of information design with new directions for contemporary practice. Seller Inventory # LU-9781350077249
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