This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1915 edition. Excerpt: ...MS. by experimental pencilling in trying to find out what you want to do. Experiments are best made roughly with a pen or brush on a piece of paper laid on the available space in the MS., or by colouring a piece of paper and cutting it out to the pattern desired and laying it on. Such means are also used to settle small doubts which may arise in the actual illuminating--as to whether--and where--some form or "Design" in some colour should be placed on the page. Illumination 1 A most beautiful twelfth-century MS., known as the "Golden Psalter," has many gold (decorated) Initials, Red, Blue, and Green (plain) Versals and Line-Finishings, every part being pen-made throughout the book. Filigree, Floral, 6 other Decoration.--The acquired skill of the penman leads very naturally to a pen flourishing and decoration of his work, and this again to many different types of filigree decoration more or less resembling floral growths (see figs. 125, 126; pp. 197-202; Plates XI., XVII.). Now all right decoration in a sense arranges itself, and we may compare the right action of the "designer's" mind to that necessary vibration or " directive " motion which permeates the universe and, being communicated to the elements, enables the various particles to fall into their right places: as when iron filings are shaken near a magnet they arrange themselves in the natural curves of the magnetic field, or as a cello bow, drawn over the edge of a sand-sprinkled plate, gathers the sand into beautiful "musical patterns." And to most natural growths, whether of plants or ornament, this principle of self-arrangement seems common, that they spread out evenly and occupy to the greatest extent possible their allotted...
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