The National Arts Journalism Program in November 2002 convened "The New Gatekeepers: A Conference on Free Expression in the Arts" at Columbia University. The event explored a significant yet subtle shift in American culture, which has reconfigured the ranks of those who decide what the public gets to see, read and hear. Traditionally, debates about free expression in the arts have been political and legal in nature, brought on by government and special-interest groups wielding legislation, prosecution or other means to control artists output - with the First Amendment often coming to the rescue. Today many cases tend to be less stark, more nuanced and considerably more confusing for everyone involved. The essays in this volume - by artists, scholars, journalists, lawyers and art advocates, as well as foundation, museum and entertainment industry executives - expand upon the ideas introduced at the New Gatekeepers conference. They consider how recent social, political, legal, economic and technological developments are placing fresh constraints on the way art is created and distributed to the public.
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Seller: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Trade Paperback. Condition: Used - Very Good. Disputes over free expression in the arts have always loomed as struggles between creativity and repression, transgression and outrage, candor and hypocrisy. But while high-profile shootouts at art museums and less visible skirmishes at schools, libraries, and theaters persist, overt censorship is no longer the only, or the most dire, threat to free expression. On the one hand, society has become more accepting of provocative imagery, with media conglomerates often leading the way in the depreciation of taboos. On the other hand, artists, while enjoying some unprecedented liberties, are hemmed in by new constraints that often fall beyond the range of First Amendment protection. The current terrain bears little resemblance to the culture wars of a decade ago, much less to what the First Amendment's Framers could have imagined. And since Sept. 11, 2001, the frontlines of the free-expression debate have been shifting once again. Based on a Columbia University conference organized by the National Arts Journalism Program, 'The New Gatekeepers' explores the reconfigured ranks of those who decide what the public gets to see, hear and read, from struggles over intellectual property and copyright, to continuing debates about acceptable and offensive content in the cultural marketplace, to the less visible biases of the arts funding system. This heavily illustrated book also includes a historical overview of censorship and contributions by 40 scholars, artists, experts and journalists from around the United States. Discussed and participating artists include Edouard Manet, Jake and Dinos Chapman, Robert Mapplethorpe, Richard Serra, Damien Hirst, Jeff Koons, Andres Serrano, Carolee Schneemann, Dread Scott, Gran Fury, Joel-Peter Witkin, Kara Walker, Jock Sturges, Chris Ofili, and Tom Sachs. Edited by Christopher W. Hawthorne, Mark Schapiro and Andras Szanto. Essays by Amy Adler, Carol Becker, Louis Menand, Roger Newman, Rochelle Gurstein, Charles Mann, Cass R. Sunstein, et al. Very nice clean, tight copy free of any marks. Seller Inventory # 293144
Seller: Studibuch, Stuttgart, Germany
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