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Double Screen: Medium and Representation in Chinese Painting Pb (Essays in Art and Culture) - Softcover
Synopsis
This book contemplates a large problem: what is a traditional Chinese painting? Wu Hung answers this question through a comprehensive analysis of the screen, a major format and a popular pictorial motif in traditional China. The Double Screen offers a powerful non-Western perspective on diverse artistic and cultural genres, from portraiture and pictorial narratives to voyeurism and masquerade.
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About the Author
Wu Hung is Professor in Chinese Art History at the University of Chicago. He is the author of many books and scholarly articles, including The Wu Liang Shrine (1989) which won the 1990 Joseph Levinson prize for the best book in Chinese Studies.
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- PublisherReaktion Books
- Publication date1996
- ISBN 10 0948462922
- ISBN 13 9780948462924
- BindingPaperback
- LanguageEnglish
- Number of pages296
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The Double Screen : Medium and Representation in Chinese Painting
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Reaktion Books, Limited, 1996
ISBN 10: 0948462922
ISBN 13: 9780948462924
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Double Screen : Medium and Representation in Chinese Painting
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The double screen: medium and representation in Chinese painting
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The Double Screen: Medium and Representation in Chinese Painting
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The Double Screen: Medium and Representation in Chinese.
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Double Screen : Medium and Representation in Chinese Painting
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The Double Screen: Medium and Representation in Chinese Painting
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University of Chicago Press, 1996
ISBN 10: 0948462922
ISBN 13: 9780948462924
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Double Screen : Medium and Representation in Chinese Painting
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The Double Screen: Medium and Representation in Chinese.
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