Synopsis
So the old snake sheds its skins. Clash of flint with flint that waves hurl against chalk. Risings, sinkings: cycle on cycle. Fresh water, salt water, brackish lagoon. Whirl and loop of streaming gravel. Cloud on cloud of sediment. Yaldhurst: the tilled fields. This collection is the outcome of a creative collaboration between the poet Jeremy Hooker and the sculptor Lee Grandjean. The work originated from Hooker's lifelong knowledge of the New Forest in the south of England and Grandjean's powerful tree images. The book creates a strong sense of the presence of the Forest, but is concerned primarily to realize an imaginative vision that involves new relationships, especially between man and nature. It comprises photographs of sculpture, two woodcuts and unique drawings specifically designed around the text of the sequence of poems, as well as an essay by Hooker on the collaboration, and extracts from his explorations of the Forest in prose.
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Review
'a poet at the height of his inspiration.' Michael Symmons Roberts, TLS'a deceptively readable poetry that leaves phrases and images in the mind as the best poems should.' Gillian Clarke, The David Jones Journal
About the Author
In a distinguished career as poet and academic, Jeremy Hooker has published studies of David Jones, John Cowper Powys and Richard Jefferies, and a number of critical books, including Writers in a Landscape and Imagining Wales: A View of Modern Welsh Writing in English. He was born in Hampshire in 1941 and is now a Professor at the University of Glamorgan.
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