A collection of photos made by Lindbloom in Florence between 1979 and 1987, using a Diana camera virtually a child's toy with a plastic lens (the story of which is explained in an afterword). The photos have an intriguing strangeness and intimacy. 10x9.25" Annotation copyright Book News, Inc. Portland, Or.
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Pastan is poet laureate of Maryland 1991-95.
Photographer, sculptor, painter, and performance artist, Lucas Samaras is one of the most influential and provocative artists of all time. In 1973, Samaras discovered that the wet dyes of Polaroid prints were highly malleable, allowing him to create what he calls "Photo-Transformations." His work has been exhibited widely at such institutions as the Whitney Museum of American Art and the Museum of Contemporary Art, Chicago and is held in major museum collections around the world.
Ben Lifson is a writer, critic, and photographer. His articles have appeared in many periodicals including "Art in America," "The Village Voice," "Artforum," and "Aperture." He is represented in the collections of the International Museum of Photography, George Eastman House, the National Museum of American Art, and the Minneapolis Art Institute.
The Florence revealed in Eric Lindbloom's Angels at the Arno is almost startling in its intimacy and quiet solitude. Lindbloom's view of the city - rendered exclusively through the plastic lens of a Diana camera, virtually a child's toy - brings this venerable city to new life and light. With unabashed subjectivity and an offbeat, oneiric sensibility, Lindbloom conveys his sense of an unveiled Florence, filled with views striking for the beauty they contain rather than for the history they suggest.
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