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Aleksandr Rodchenko: Experiments for the Future - Hardcover

 
9780870705465: Aleksandr Rodchenko: Experiments for the Future

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This book contains all of the diaries, programs, essays, and major articles written by Alexander Rodchenko between 1911 and 1956. The word "experiment" was a key word for the artist, who conceived of his multimedia oeuvre as one huge experiment. Referred to by his friends and contemporaries as "a scout of the future," Rodchenko sought new paths in graphic design and painting, sculpture and architecture, poster design and cinema, photography and book design, and furniture and theatre design. The first chapter in this volume covers the early life of Rodchenko and relates to the time of his studies in the Kazan art school. His diaries from 1911-15 relate the vivid atmosphere of the school, explain the artist's early tastes for theatrical, oriental and medieval motifs, and recall the moments when he first met Varvara Stepanova, his lifetime partner and fellow artist. The second chapter covers the most active years of the Russian avant-garde movement: 1916-21. Here Rodchenko is linked to Vladimir Tatlin and his evolution as a non-objective painter comes about. His writings from this period explore his interest in the artistic process, in the way ideas are born, and often make comparisons with other artistic trends of the time: suprematism, cubism, and impressionism. The third chapter runs through the 20s and the height of the constructivist movement, when Rodchenko became one of the leading designers of the time. This chapter is the most comprehensive, featuring writings dedicated to industrial design education, graphic design, advertising, photomontage and photography. The fourth chapter reveals the artist's mood and the general Soviet culture situation of the 30s, a time of political change, accusations of formalism, and great success in photography. The last chapter is dedicated to the war and postwar period and contains only diary texts in which the artist recounts his family's evacuation to the country, his subsequent hard living and working conditions, as well as his musings on the cultural politics of the time and life in general. Originally published in 1996 in Moscow by Rodchenko's family, Experiments for the Future appears here in its first English edition. This new edition contains additional material and features a different design and images, but the content remains essentially unchanged.

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Contains all the diaries, programs, essays and major articles written by Rodchenko between 1911-1956.

"About this title" may belong to another edition of this title.

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Aleksandr Rodchenko
ISBN 10: 0870705466 ISBN 13: 9780870705465
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RODCHENKO, Alexander & LAVRENTIEV, Alexander N. (ed.)
Published by Museum of Modern Art, New York, 2005
ISBN 10: 0870705466 ISBN 13: 9780870705465
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hardcover. Condition: USED_FINE. Dust Jacket Condition: fine. Alexander Rodchenko (illustrator). 122 b/w illustrations. 440 pages. Tall thick 8vo, black cloth, d.w. New York: Museum of Modern Art, 2005. A fine copy in a fine dust wrapper, as new in the original shrinkwrap. This book presents a variety of texts spanning the adult life of the Russian avant-garde artist Aleksandr Rodchenko (1891-1956), including much previously unpublished material. Seller Inventory # 307263

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Rodchenko, Aleksandr and Alexander N. Lavrentiev, John E Bowlt
Published by NY: Museum of Modern Art, 2005
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Condition: USED_GOOD. SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. book. Seller Inventory # 0870705466-R

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Hardcover. Condition: USED_GOOD. This book contains all of the diaries, programs, essays, and major articles written by Alexander Rodchenko between 1911 and 1956. The word "experiment" was a key word for the artist, who conceived of his multimedia oeuvre as one huge experiment. Referred to by his friends and contemporaries as "a scout of the future," Rodchenko sought new paths in graphic design and painting, sculpture and architecture, poster design and cinema, photography and book design, and furniture and theatre design. The first chapter in this volume covers the early life of Rodchenko and relates to the time of his studies in the Kazan art school. His diaries from 1911-15 relate the vivid atmosphere of the school, explain the artist's early tastes for theatrical, oriental and medieval motifs, and recall the moments when he first met Varvara Stepanova, his lifetime partner and fellow artist. The second chapter covers the most active years of the Russian avant-garde movement: 1916-21. Here Rodchenko is linked to Vladimir Tatlin and his evolution as a non-objective painter comes about. His writings from this period explore his interest in the artistic process, in the way ideas are born, and often make comparisons with other artistic trends of the time: suprematism, cubism, and impressionism. The third chapter runs through the 20s and the height of the constructivist movement, when Rodchenko became one of the leading designers of the time. This chapter is the most comprehensive, featuring writings dedicated to industrial design education, graphic design, advertising, photomontage and photography. The fourth chapter reveals the artist's mood and the general Soviet culture situation of the 30s, a time of political change, accusations of formalism, and great success in photography. The last chapter is dedicated to the war and postwar period and contains only diary texts in which the artist recounts his family's evacuation to the country, his subsequent hard living and working conditions, as well as his musings on the cultural politics of the time and life in general. Originally published in 1996 in Moscow by Rodchenko's family, Experiments for the Future appears here in its first English edition. This new edition contains additional material and features a different design and images, but the content remains essentially unchanged. Seller Inventory # SONG0870705466

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Lavrentiev Alecander N.
Published by Museum of Modern Art, New York, 2005
ISBN 10: 0870705466 ISBN 13: 9780870705465
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Rilegato. Condition: NEW. New. English. Hardcover with jacket., Ill. bn: B/w Illustrations., Ill. colori: --, Peso: 1385 gr. Seller Inventory # 1605-CC17

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Aleksandr Rodchenko
ISBN 10: 0870705466 ISBN 13: 9780870705465
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Condition: USED_GOOD. SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. book. Seller Inventory # 45-0870705466-G

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Lavrentiev, Alexander N. (ed) & Gambrell, Jamey (trans.)
ISBN 10: 0870705466 ISBN 13: 9780870705465
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Condition: UNSPECIFIED. 26.0 x 17.0cms, 434pp, b/w illusts, very good+ hardback & dustwrapper This book contains the writings of Aleksandr Rodchenko, who became a central figure in the avant-garde movement following the Bolshevik Revolution of 1917 He contributed to lasting innovations to nearly every field of visual art and played a major role in the establishment of new artistic institutions in the wake of the Revolution. Seller Inventory # 199639

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MoMA
Published by Museum of Modern Art, 2004
ISBN 10: 0870705466 ISBN 13: 9780870705465
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Hardback. Condition: UNSPECIFIED. 305. This book contains all of the diaries, programs, essays, and major articles written by Alexander Rodchenko between 1911 and 1956. The word "experiment" was a keyword for the artist, who conceived of his multimedia oeuvre as one huge experiment. Referred to by his friends and contemporaries as "a scout of the future." Rodchenko sought new paths in graphic design and painting, sculpture and architecture, poster design and cinema, photography and book design, and furniture and theatre design. The first chapter in this volume covers the early life of Rodchenko and relates to the time of his studies in the Kazan art school. His diaries from 1911-15 relate the vivid atmosphere of the school, explain the artist's early tastes for theatrical, oriental and medieval motifs, and recall the moments when he first met Varvara Stepanova, his lifetime partner and fellow artist. The second chapter covers the most active years of the Russian avant-garde movement: 1916-21. Here Rodchenko is linked to Vladimir Tatlin and his evolution as a non-objective painter comes about. His writings from this period explore his interest in the artistic process, in the way ideas are born, and often make comparisons with other artistic trends of the time: suprematism, cubism, and impressionism. The third chapter runs through the 20th and the height of the constructivist movement, when Rodchenko became one of the leading designers of the time. This chapter is the most comprehensive, featuring writings dedicated to industrial design education, graphic design, advertising, photomontage and photography. The fourth chapter reveals the artist's mood and the general Soviet culture situation of the 30s, a time of politicalchange, accusations of formalism, and great success in photography. The last chapter is dedicated to the war and postwar period and contains only diary texts in which the artist recounts his family's evacuation to the country, his subsequent hard living and working conditions, as well as his musings on the cultural politics of the time and life in general. Originally published in 1996 in Moscow by Rodchenko's family, "Experiments for the Future appears here in its first English edition. This new edition contains additional material and features a different design and images, but the content remains essentially unchanged. Seller Inventory # 7806829

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ISBN 10: 0870705466 ISBN 13: 9780870705465
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Condition: USED_GOOD. Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within 2.87. Seller Inventory # bk0870705466xvz189zvxgdd

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